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Mikiya Takimoto

Cinematographer

TMDB popularity, last 37 days to Oct 26Up 9% in 30 days

What are Mikiya Takimoto's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
51%
Morality
21%
Self
15%
Ideas
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
4
Bittersweet
3
Melancholic
2
Warm
1
Tense
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mikiya Takimoto's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mikiya Takimoto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

  • The First Taste of Loneliness (not in the MovieCove catalog yet)(2026)

    Cinematographer

  • Asura(2025)

    Show 7 episodes · Cinematographer

    Midcredits score: 82nd percentile of all shows
  • Duality (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • The Third Murder(2017)

    Cinematographer

    Midcredits score: 70th percentile of all films
  • Our Little Sister(2015)

    Cinematographer

    Midcredits score: 96th percentile of all films
  • Like Father, Like Son(2013)

    Cinematographer · Still Photographer

    Midcredits score: 98th percentile of all films

Career shape

A full career of 6 titles from 2013 to 2026.

By role

only this rolewith another role
Cinematography6 of 6: 5 only cinematography, 1 with another roleOther crew1 of 6: 0 only other crew, 1 with another role

By decade

2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mikiya Takimoto's films land?

Their typical MovieCove film has a Midcredits score in the 96th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 95th percentile for acclaim.

Acclaim · how much people like their films

95thpercentile
Typical film, the median of 3

Approval · how many liked their films

93rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

95thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser2

Reviewers score the cinematography 76/100 in their films, across 3 reviewed titles; fans 80, detractors 70. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mikiya Takimoto work with?

People who share at least 2 of Mikiya Takimoto's MovieCove titles, grouped by what they did on them; Hirokazu Koreeda shares the most, 4.

Directors

Actors

Producers