Federico G. Rosenzvit is a multi Emmy nominated and award winning editor. His work has screened in festivals like Cannes, Berlin, Toronto, Telluride and Sundance. Originally from Buenos Aires, Argentina, Rosenzvit started his career working in advertising and editing some of the most celebrated music videos for top artists in Latin America. He then continued his work on Features, Documentaries and Doc series for outlets like National Geographic, BBC, HBO, Showtime, CNN Films, Sundance Selects, Amazon and Netflix. He has worked with Oscar winning and Oscar nominated directors Louie Psihoyos (The Cove), Karim Amer and Jehane Noujaim (The Square), Steven Cantor (What Remains) and his work has been produced by Hollywood heavy-weights like James Cameron, Arnold Schwarzenegger and David Gordon Green.
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Biography from IMDb.
- Editor, also producer and writer
- 12 on MovieCove
What are Federico Rosenzvit's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 2 · Serious 4 · Dark 2
Grounded 8 · Stylized 0 · Heightened 0
Gentle 3 · Charged 4 · Intense 1
Steady 7 · Shifting 1 · Whiplash 0
Straight-faced 8 · Some laughs 0 · Funny 0
Slow burn 7 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 4 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 2
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Federico Rosenzvit's films?
As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Federico Rosenzvit's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 12 with a MovieCove page.
Midcredits score: 84th percentile of all shows
Midcredits score: 14th percentile of all shows
Flight/Risk(2022)
Midcredits score: 61st percentile of all films
Citizen Ashe(2021)
Midcredits score: 76th percentile of all films
Hood River(2021)
Midcredits score: 33rd percentile of all films (provisional, few ratings)
Bad Hombres(2020)
Midcredits score: 71st percentile of all films
What Will Become of Us(2019)
Midcredits score: 76th percentile of all films (provisional, few ratings)
Ballet Now(2018)
Midcredits score: 80th percentile of all films
City of Joel(2018)
Midcredits score: 69th percentile of all films
Dancer(2016)
Midcredits score: 95th percentile of all films
Midcredits score: 45th percentile of all shows
Inside the American Mob(2013)
Midcredits score: 95th percentile of all shows
Career shape
Across their 12 MovieCove titles from 2013 to 2025.
How do Federico Rosenzvit's films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up6
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
4 of their 12 titles are Crowd Pleasers.
- Universally Loved2
- Divisive2
- Cult Classic1
- Crowd Pleaser4
- Mixed3
Reviewers score the pacing 48/100 in their films, across 5 reviewed titles; fans 58, detractors 15. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Federico Rosenzvit work with?
People who share at least 2 of Federico Rosenzvit's MovieCove titles, grouped by what they did on them; Steven Cantor shares the most, 5.
Directors
- Steven CantorShared titles: Citizen Ashe (2021), Hood River (2021), What Will Become of Us (2019), Ballet Now (2018), Dancer (2016)See all 5 shared titles with Steven Cantor
Composers, cinematographers and editors
- BC SmithShared titles: Hood River (2021), Ballet Now (2018)See all 2 shared titles with BC Smith
- Casey ReganShared titles: Hood River (2021), Ballet Now (2018)See all 2 shared titles with Casey Regan
- Lewis RapkinShared titles: Citizen Ashe (2021), What Will Become of Us (2019)See all 2 shared titles with Lewis Rapkin
- Johnny Saint-OursShared titles: What Will Become of Us (2019), Ballet Now (2018)See all 2 shared titles with Johnny Saint-Ours
Producers
- Jamie SchutzShared titles: Citizen Ashe (2021), Hood River (2021), What Will Become of Us (2019), Ballet Now (2018), Dancer (2016)See all 5 shared titles with Jamie Schutz
- Jonathan FieldShared titles: Citizen Ashe (2021), Hood River (2021), What Will Become of Us (2019), Ballet Now (2018)See all 4 shared titles with Jonathan Field
- Jessica CozzettaShared titles: Hood River (2021), What Will Become of Us (2019), Ballet Now (2018)See all 3 shared titles with Jessica Cozzetta
- David FialkowShared titles: Flight/Risk (2022), Citizen Ashe (2021)See all 2 shared titles with David Fialkow