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What are Ian Kirk's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 2 · Dark 10

Grounded 12 · Stylized 3 · Heightened 2

A split, not a type: Gentle 2 · Charged 5 · Intense 10

Steady 3 · Shifting 11 · Whiplash 3

Straight-faced 10 · Some laughs 5 · Funny 2

Slow burn 5 · Even-paced 9 · Relentless 3

Casual 5 · Engaged 10 · Full focus 2

A split, not a type: Easy watch 4 · Affecting 5 · Heavy 8

Resolved 9 · Open-ended 5 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
9
Dread
4
Absurd
3
Bittersweet
2
Other
12

How their films end · 2 with a twist

  • Happy3
  • Bittersweet7
  • Tragic1
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ian Kirk's films?

As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Ian Kirk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 17 with a MovieCove page.

  • Seven Snipers(2026)

    Producer

    Midcredits score: 10th percentile of all films
  • Gassed Up(2023)

    Producer

    Midcredits score: 22nd percentile of all films
  • A Violent Man(2021)

    Producer

    Midcredits score: 29th percentile of all films
  • Boiling Point(2021)

    Producer

    Midcredits score: 95th percentile of all films
  • Never Too Late(2020)

    Producer

    Midcredits score: 42nd percentile of all films
  • Villain(2020)

    Producer

    Midcredits score: 36th percentile of all films
  • Boiling Point(2019)

    Producer

    Midcredits score: 95th percentile of all films
  • Measure for Measure(2019)

    Producer

    Midcredits score: 29th percentile of all films
  • Genesis(2018)

    Producer

    Midcredits score: 1st percentile of all films
  • Nightshooters(2018)

    Producer

    Midcredits score: 54th percentile of all films
  • Ali's Wedding(2017)

    Producer

    Midcredits score: 79th percentile of all films
  • Cargo(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • Boys in the Trees(2016)

    Producer

    Midcredits score: 63rd percentile of all films
  • The Menkoff Method(2016)

    Producer

    Midcredits score: 26th percentile of all films
  • Pawno(2015)

    Producer

    Midcredits score: 76th percentile of all films
  • StalkHer(2015)

    Producer

    Midcredits score: 18th percentile of all films
  • The Dressmaker(2015)

    Producer

    Midcredits score: 79th percentile of all films

Career shape

Across their 17 MovieCove titles from 2015 to 2026.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score42nd

By decade

2010s11 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Ian Kirk's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 17

Approval · how many liked their films

41stpercentile
Typical film, the median of 17

Reach · how many have seen their films

67thpercentile
Typical film, the median of 17

Midcredits score across 17 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

5 of their 17 titles are Crowd Pleasers.

  • Universally Loved2
  • Universally Panned2
  • Cult Classic3
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ian Kirk's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 62 · intenseMedian of all films: 44
Sex & Nudity5 titles11–45 · median 33 · mildnear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 71 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 44 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 53 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ian Kirk work with?

People who share at least 2 of Ian Kirk's MovieCove titles, grouped by what they did on them; Bart Ruspoli shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers