- Producer and editor
- 15 on MovieCove
What are J.E. Moore's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
A split, not a type: Light 3 · Serious 2 · Dark 7
A split, not a type: Grounded 8 · Stylized 1 · Heightened 3
A split, not a type: Gentle 3 · Charged 1 · Intense 8
Steady 3 · Shifting 6 · Whiplash 3
Straight-faced 10 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 8 · Relentless 1
Casual 5 · Engaged 7 · Full focus 0
Easy watch 4 · Affecting 4 · Heavy 4
A split, not a type: Resolved 8 · Open-ended 1 · Ambiguous 3
Moods and endings
- Happy2
- Bittersweet4
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch J.E. Moore's films?
As of October 24, 2026, 13 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (9).
- Professor Marston & the Wonder Women (2017) · post production supervisor · free
- Assassination Nation (2018) · producer · free
- Breaking Brooklyn (2018) · producer · free
- Grow House (2017) · producer · free
- The Monster (2016) · producer · free
- Ruta Madre (2019) · producer · free
- Jackals (2017) · producer · free
- Urge (2016) · producer · free
- Mafia (2012) · editor · free
Subscription and free streaming for J.E. Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 15 with a MovieCove page.

Ghosts of War(2020)
Midcredits score: 26th percentile of all films
Ruta Madre(2019)
Midcredits score: 24th percentile of all films
Breaking Brooklyn(2018)
Midcredits score: 45th percentile of all films
Assassination Nation(2018)
Midcredits score: 46th percentile of all films
Midcredits score: 83rd percentile of all films
Grow House(2017)
Midcredits score: 29th percentile of all films
Jackals(2017)
Midcredits score: 19th percentile of all films
The Hollow Point(2016)
Midcredits score: 21st percentile of all films
Intruder(2016)
Midcredits score: 2nd percentile of all films
The Monster(2016)
Midcredits score: 26th percentile of all films
Urge(2016)
Midcredits score: 17th percentile of all films
Stonewall(2015)
Midcredits score: 28th percentile of all films
Mafia(2012)
Midcredits score: 9th percentile of all films
King of the Avenue(2010)
Midcredits score: 7th percentile of all films
The Donner Party(2009)
Midcredits score: 21st percentile of all films
Career shape
A full career of 5 titles from 2009 to 2018.

Biggest box office
Assassination Nation (2018)

Highest rated
Assassination Nation (2018)

Most popular right now
Ghosts of War (2020)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do J.E. Moore's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 19th percentile for acclaim.
- 75th and up1
- 25th to 49th6
- Below 25th8
Shape of the crowd
7 of their 15 titles are Mixed.
- Divisive1
- Cult Classic5
- Crowd Pleaser1
- Broadly Agreed1
- Mixed7
Reviewers score the pacing 40/100 in their films, across 12 reviewed titles; fans 57, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is J.E. Moore's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does J.E. Moore work with?
People who share at least 2 of J.E. Moore's MovieCove titles, grouped by what they did on them; Ryan Combs shares the most, 2.
Directors
- Ryan CombsShared titles: Mafia (2012), King of the Avenue (2010)See all 2 shared titles with Ryan Combs

Actors
- Ving RhamesShared titles: Mafia (2012), King of the Avenue (2010)See all 2 shared titles with Ving Rhames

Cinematographers
- Mario SignoreShared titles: Mafia (2012), King of the Avenue (2010)See all 2 shared titles with Mario Signore
Producers
- Alastair BurlinghamShared titles: Ghosts of War (2020), Urge (2016)See all 2 shared titles with Alastair Burlingham
- Andrew MannShared titles: Ghosts of War (2020), Urge (2016)See all 2 shared titles with Andrew Mann
- Peter FruchtmanShared titles: Urge (2016), King of the Avenue (2010)See all 2 shared titles with Peter Fruchtman
