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John Woldenberg

Producer

Works as
Producer
Titles
5 on MovieCove

What are John Woldenberg's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
28%
Bonds
21%
Society
21%
Morality
11%
Survival
7%
Power
6%
Ideas
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 1 · Heightened 0

A split, not a type: Gentle 3 · Charged 2 · Intense 0

Steady 4 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 1

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 4 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
3
Bittersweet
3
Melancholic
2
Hopeful
2
Joyful
1
Other
3

How their films end

  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Woldenberg's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for John Woldenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Midcredits score: 94th percentile of all films (provisional, few ratings)
  • Exporting Raymond(2010)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • The Visitor(2007)

    Producer

    Midcredits score: 95th percentile of all films
  • The Mysteries of Pittsburgh(2008)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • Smart People(2008)

    Producer

    Midcredits score: 44th percentile of all films

Career shape

A full career of 3 titles from 2008 to 2011.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

By decade

2000s2 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do John Woldenberg's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 5

Approval · how many liked their films

74thpercentile
Typical film, the median of 5

Reach · how many have seen their films

76thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 25th to 49th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John Woldenberg work with?

People who share at least 2 of John Woldenberg's MovieCove titles, grouped by what they did on them; Michael London shares the most, 3.

Producers