Matt Klammer
- Cinematographer
- 10 on MovieCove · 22 credits in all
What are Matt Klammer's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
A split, not a type: Light 3 · Serious 1 · Dark 4
Grounded 3 · Stylized 4 · Heightened 1
Gentle 1 · Charged 4 · Intense 3
Steady 1 · Shifting 5 · Whiplash 2
Straight-faced 5 · Some laughs 3 · Funny 0
Slow burn 5 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 5 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 3 · Heavy 1
Resolved 3 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet3
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matt Klammer's films?
As of October 24, 2026, all 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Matt Klammer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 10 with a MovieCove page.
Dead Bloom(2026)
Midcredits score: 9th percentile of all films (provisional, few ratings)
Pretty Thing(2025)
Midcredits score: 10th percentile of all films
Running on Empty(2024)
Midcredits score: 13th percentile of all films
Midcredits score: 43rd percentile of all films
Cypher(2023)
Midcredits score: 50th percentile of all films
David Cross: I'm From The Future (not in the MovieCove catalog yet)(2022)
Bronx, New York, November 2019 (not in the MovieCove catalog yet)(2021)
Rogue Hostage(2021)
Midcredits score: 3rd percentile of all films
Cornflower (not in the MovieCove catalog yet)(2019)
Wig(2019)
Midcredits score: 74th percentile of all films
Welcome the Stranger(2018)
Midcredits score: 15th percentile of all films
Garlic and Gunpowder (not in the MovieCove catalog yet)(2018)
Death House(2017)
Midcredits score: 1st percentile of all films
At Home with Amy Sedaris (not in the MovieCove catalog yet)(2017)
The Funeral (not in the MovieCove catalog yet)(2016)
The House on Teddy Bear Lane (not in the MovieCove catalog yet)(2015)
Pahlavan (not in the MovieCove catalog yet)(2014)
The Sacrament(2013)
Midcredits score: 42nd percentile of all films
Love & I Had A Fight (not in the MovieCove catalog yet)(2013)
Walk My Elephant (not in the MovieCove catalog yet)(2012)
Chasing the Green (not in the MovieCove catalog yet)(2009)
Seven Hundred Fifty-Six (not in the MovieCove catalog yet)
Career shape
A full career of 22 titles, 21 of them dated from 2009 to 2025.
Biggest box office
Pretty Thing (2025)
Highest rated
Wig (2019)
Most popular right now
Pretty Thing (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Matt Klammer's films land?
Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 19th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
- Below 25th6
Shape of the crowd
6 of their 10 titles are Mixed.
- Universally Panned1
- Divisive1
- Cult Classic1
- Broadly Agreed1
- Mixed6
Reviewers score the cinematography 55/100 in their films, across 5 reviewed titles; fans 83, detractors 33. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Matt Klammer's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Matt Klammer work with?
People who share at least 2 of Matt Klammer's MovieCove titles, grouped by what they did on them; Chris Moukarbel shares the most, 3.
Directors
- Chris MoukarbelShared titles: Slave Play. Not a Movie. A Play. (2024), Cypher (2023), Wig (2019)See all 3 shared titles with Chris Moukarbel
- Justin KellyShared titles: Pretty Thing (2025), Welcome the Stranger (2018)See all 2 shared titles with Justin Kelly
Composers and editors
- Ezra PaekShared titles: Cypher (2023), Wig (2019)See all 2 shared titles with Ezra Paek
- Patrick BelagaShared titles: Cypher (2023), Wig (2019)See all 2 shared titles with Patrick Belaga
Producers
- Jesse KormanShared titles: Pretty Thing (2025), Welcome the Stranger (2018)See all 2 shared titles with Jesse Korman
- Jordan Yale LevineShared titles: Pretty Thing (2025), Welcome the Stranger (2018)See all 2 shared titles with Jordan Yale Levine
- Kurt FethkeShared titles: Pretty Thing (2025), Running on Empty (2024)See all 2 shared titles with Kurt Fethke
- Kyle FethkeShared titles: Pretty Thing (2025), Running on Empty (2024)See all 2 shared titles with Kyle Fethke