- Writer and producer
- 18 on MovieCove · 21 credits in all
What are Micah Bloomberg's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 3
A split, not a type: Light 0 · Serious 3 · Dark 2
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 0 · Charged 2 · Intense 3
Steady 2 · Shifting 2 · Whiplash 1
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 1
A split, not a type: Casual 0 · Engaged 3 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 3
Resolved 1 · Open-ended 3 · Ambiguous 1
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Micah Bloomberg's films?
As of October 24, 2026, 17 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Micah Bloomberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 18 with a MovieCove page.
Backrooms(2026)
Midcredits score: 72nd percentile of all films
Midcredits score: 15th percentile of all films
Sanctuary(2022)
Midcredits score: 56th percentile of all films
White Wedding (not in the MovieCove catalog yet)(2021)
Midcredits score: 91st percentile of all films
Homecoming(2018)
Midcredits score: 66th percentile of all shows
Christine(2016)
Midcredits score: 78th percentile of all films
Creative Control(2015)
Midcredits score: 29th percentile of all films
Mistress America(2015)
Midcredits score: 73rd percentile of all films
Memphis(2013)
Midcredits score: 33rd percentile of all films
Obvious Child(2014)
Midcredits score: 73rd percentile of all films
Midcredits score: 60th percentile of all films
All Is Lost(2013)
Midcredits score: 78th percentile of all films
Brazzaville Teen-Ager (not in the MovieCove catalog yet)(2013)
Simon Killer(2012)
Midcredits score: 57th percentile of all films
Martha Marcy May Marlene(2011)
Midcredits score: 75th percentile of all films
Helena from the Wedding(2010)
Midcredits score: 9th percentile of all films
Tiny Furniture(2010)
Midcredits score: 50th percentile of all films
Afterschool(2008)
Midcredits score: 45th percentile of all films
You Wont Miss Me(2009)
Midcredits score: 24th percentile of all films
Ai (not in the MovieCove catalog yet)(2008)
Career shape
A full career of 21 titles from 2008 to 2026.
Biggest box office
Sanctuary (2022)
Highest rated
Christine (2016)
Most popular right now
The Hand That Rocks the Cradle (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
2 major nominations and no wins, 2014–2019.
- Writers Guild Award, nominated · New Series
- BAFTA Award, nominated · Best Sound
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Micah Bloomberg's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 17; across their 5 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up4
- 50th to 74th8
- 25th to 49th3
- Below 25th3
Shape of the crowd
9 of their 18 titles are Mixed.
- Universally Loved1
- Crowd Pleaser7
- Broadly Agreed1
- Mixed9
Reviewers score the dialogue 55/100 and the plot and story 41/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Micah Bloomberg's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Micah Bloomberg work with?
People who share at least 2 of Micah Bloomberg's MovieCove titles, grouped by what they did on them; Craig Shilowich shares the most, 3.
Composers
- Ariel MarxShared titles: The Hand That Rocks the Cradle (2025), Sanctuary (2022)See all 2 shared titles with Ariel Marx
Producers
- Craig ShilowichShared titles: Christine (2016), Creative Control (2015), Stand Clear of the Closing Doors (2013)See all 3 shared titles with Craig Shilowich
- Melody C. RoscherShared titles: Christine (2016), Creative Control (2015)See all 2 shared titles with Melody C. Roscher
- Greg StewartShared titles: Creative Control (2015), Stand Clear of the Closing Doors (2013)See all 2 shared titles with Greg Stewart