- Editor
- 14 on MovieCove
What are Lee Haugen's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
A split, not a type: Light 4 · Serious 1 · Dark 5
Grounded 6 · Stylized 4 · Heightened 0
A split, not a type: Gentle 2 · Charged 3 · Intense 5
Steady 3 · Shifting 7 · Whiplash 0
Straight-faced 6 · Some laughs 4 · Funny 0
Slow burn 5 · Even-paced 5 · Relentless 0
Casual 2 · Engaged 7 · Full focus 1
Easy watch 3 · Affecting 4 · Heavy 3
A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee Haugen's films?
As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lee Haugen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 14 with a MovieCove page.

He Bled Neon(2026)
Midcredits score: 29th percentile of all films (provisional, few ratings)
Woman of the Hour(2023)
Midcredits score: 65th percentile of all films
Winner(2024)
Midcredits score: 62nd percentile of all films
The Absence of Eden(2023)
Midcredits score: 19th percentile of all films
Fast Charlie(2023)
Midcredits score: 58th percentile of all films
Echo 3(2022)
Midcredits score: 29th percentile of all shows
The Desperate Hour(2021)
Midcredits score: 13th percentile of all films
Ad Astra(2019)
Midcredits score: 61st percentile of all films
Papillon(2017)
Midcredits score: 88th percentile of all films
The Lost City of Z(2016)
Midcredits score: 67th percentile of all films
Miss Stevens(2016)
Midcredits score: 68th percentile of all films
Dope(2015)
Midcredits score: 87th percentile of all films
Dear Sidewalk(2013)
Midcredits score: 67th percentile of all films
Repentance(2013)
Midcredits score: 16th percentile of all films
Career shape
A full career of 13 titles from 2013 to 2026.

Biggest box office
Ad Astra (2019)

Highest rated
Dope (2015)

Most popular right now
The Lost City of Z (2016)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Won a Sundance award in 2015, Dramatic.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Lee Haugen's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 13; across their 10 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up2
- 50th to 74th7
- 25th to 49th2
- Below 25th3
Shape of the crowd
8 of their 14 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser8
- Mixed5
Reviewers score the pacing 41/100 in their films, across 8 reviewed titles; fans 54, detractors 24. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Lee Haugen's work okay for kids?
Across up to 6 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Lee Haugen work with?
People who share at least 2 of Lee Haugen's MovieCove titles, grouped by what they did on them; Phillip Noyce shares the most, 2.
Directors
- Phillip NoyceShared titles: Fast Charlie (2023), The Desperate Hour (2021)See all 2 shared titles with Phillip Noyce

- James GrayShared titles: Ad Astra (2019), The Lost City of Z (2016)See all 2 shared titles with James Gray

Composers and editors
- Fil EislerShared titles: Fast Charlie (2023), The Desperate Hour (2021)See all 2 shared titles with Fil Eisler

- John AxelradShared titles: Ad Astra (2019), The Lost City of Z (2016)See all 2 shared titles with John Axelrad

Producers
- Joe JenckesShared titles: Fast Charlie (2023), The Absence of Eden (2023)See all 2 shared titles with Joe Jenckes

- Joe SimpsonShared titles: Fast Charlie (2023), The Absence of Eden (2023)See all 2 shared titles with Joe Simpson

- L. Warren ThompsonShared titles: Fast Charlie (2023), The Desperate Hour (2021)See all 2 shared titles with L. Warren Thompson
- Simon WilliamsShared titles: Fast Charlie (2023), The Absence of Eden (2023)See all 2 shared titles with Simon Williams