Berry Meyerowitz

Producer

Berry Meyerowitz is a prominent entertainment executive and film producer known for his extensive expertise in independent film distribution, corporate acquisitions, and content strategy. Over a multi-decade career, he has built a reputation for identifying commercial independent projects and successfully navigating the evolving landscape of global distribution across physical, digital, and streaming platforms. Meyerowitz began establishing himself as an industry leader when he founded Phase 4 Films. Under his leadership as President and CEO, Phase 4 grew into one of the leading independent distributors in North America. The company’s commercial success caught the attention of major entertainment conglomerates, leading to its successful acquisition by Entertainment One (eOne) in 2014. Following the acquisition, Meyerowitz was appointed President of eOne’s US Film Business, where he oversaw the studio's domestic film distribution operations and expanded its market footprint. In 2019, Meyerowitz teamed up with fellow industry veteran Jeff Sackman to launch Quiver Distribution. Functioning as a private, self-funded film production and distribution company, Quiver specializes in dynamic genre films and aggressive Video-on-Demand (VOD) strategies. Meyerowitz instrumentalized the company's rapid scaling, which included the massive 2020 acquisition of the 1,000-title Kew Media Distribution library, firmly establishing Quiver as a major player in worldwide rights management. As a producer, Meyerowitz has built an impressive slate of commercial independent features. His notable producing credits include the cult hit thriller Becky (2020), The Survivalist (2021), The Girl in the Pool (2024), and Die Alone (2024). He continues to actively shape the independent film market by producing high-concept thrillers, comedies, and dramas for global audiences.

What are Berry Meyerowitz's films like?

Across their 55 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Biography2 titles72^nd

Documentary2 titles71^st

Horror2 titles12^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Self

25%

Bonds

24%

Morality

23%

Survival

20%

Society

4%

Power

2%

Ideas

2%

Family bonds19 Survival14 Self-worth10 Justice6 Purpose6 Romantic love5 Coming of age6 Deception6

What they feel like to watch

their average across 55 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 4 · Wry 7 · Earnest 44

Serious

Tone · Weight

lightdark

A split, not a type: Light 19 · Serious 11 · Dark 25

Grounded

Tone · Style

naturalisticheightened

Grounded 43 · Stylized 12 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 11 · Charged 24 · Intense 20

Shifting

Feel · Swings

steadyswings

Steady 18 · Shifting 28 · Whiplash 9

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 28 · Some laughs 24 · Funny 3

Even-paced

Demand · Pace

slowrelentless

Slow burn 24 · Even-paced 24 · Relentless 7

Engaged

Demand · Attention

casualfull focus

Casual 19 · Engaged 28 · Full focus 8

Affecting

Demand · Emotional cost

easyheavy

Easy watch 19 · Affecting 22 · Heavy 14

Resolved

Demand · Resolution

resolvedambiguous

Resolved 38 · Open-ended 12 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

33

Melancholic

19

Dread

14

Hopeful

14

Contemplative

14

Other

57

How their films linger

Hopeful21 Bittersweet18 Feel-good14 Unsettling13 Thought-provoking11 Fun8

How their films end · 8 with a twist

Happy14
Bittersweet27
Tragic1
Ambiguous13

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Berry Meyerowitz's films?

As of October 24, 2026, 49 of their 55 MovieCove titles stream on a subscription or free service, most on Tubi (38).

Also on these channels

Howdy2 titles, show their 2 titles on Howdy
Lionsgate+2 titles, show their 2 titles on Lionsgate+
Fuse+1 title, show their title on Fuse+
Screambox1 title, show their title on Screambox

Subscription and free streaming for Berry Meyerowitz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

57 credits, 55 with a MovieCove page.

The Last Temptation of Becky (not in the MovieCove catalog yet)(2026)
Executive Producer
Modern Whore(2025)
Executive Producer
Midcredits score: 52nd percentile of all films
Blue Eyed Girl(2025)
Producer
Midcredits score: 34th percentile of all films
London Calling(2025)
Producer
Midcredits score: 32nd percentile of all films
Die Alone(2024)
Executive Producer
Midcredits score: 39th percentile of all films
The Girl in the Pool(2024)
Executive Producer
Midcredits score: 4th percentile of all films
The Silent Planet(2024)
Executive Producer
Midcredits score: 20th percentile of all films
Agent Recon(2024)
Executive Producer
Midcredits score: 1st percentile of all films
Irena's Vow(2023)
Producer
Midcredits score: 83rd percentile of all films
Outlaw Posse(2024)
Executive Producer
Midcredits score: 14th percentile of all films
Saint Clare(2024)
Producer
Midcredits score: 11th percentile of all films
The Christmas Classic(2023)
Executive Producer
Midcredits score: 8th percentile of all films
Warrior Strong(2023)
Executive Producer
Midcredits score: 33rd percentile of all films
North of Normal(2022)
Executive Producer
Midcredits score: 57th percentile of all films
Happiness for Beginners(2023)
Producer
Midcredits score: 42nd percentile of all films
Fear the Night(2023)
Executive Producer
Midcredits score: 11th percentile of all films
The Wrath of Becky(2023)
Executive Producer
Midcredits score: 48th percentile of all films
Dead Shot(2023)
Producer
Midcredits score: 24th percentile of all films
The Collective(2023)
Producer
Midcredits score: 3rd percentile of all films
You're Killing Me(2023)
Producer
Midcredits score: 39th percentile of all films
Dead for a Dollar(2022)
Producer
Midcredits score: 22nd percentile of all films
As They Made Us(2022)
Executive Producer
Midcredits score: 44th percentile of all films
Bandit(2022)
Producer
Midcredits score: 60th percentile of all films
Bitch Ass(2022)
Producer
Midcredits score: 8th percentile of all films
Erin's Guide to Kissing Girls(2022)
Producer
Midcredits score: 24th percentile of all films
Out of the Blue(2022)
Producer
Midcredits score: 5th percentile of all films
The Retreat(2021)
Executive Producer
Midcredits score: 12th percentile of all films
The Survivalist(2021)
Producer
Midcredits score: 2nd percentile of all films
Chick Fight(2020)
Executive Producer
Midcredits score: 12th percentile of all films
The Kid Detective(2020)
Executive Producer
Midcredits score: 78th percentile of all films
Run This Town(2019)
Executive Producer
Midcredits score: 39th percentile of all films
Go Karts(2020)
Executive Producer
Midcredits score: 47th percentile of all films
Becky(2020)
Producer
Midcredits score: 46th percentile of all films
Tammy's Always Dying(2019)
Executive Producer
Midcredits score: 30th percentile of all films
Astronaut(2019)
Executive Producer
Midcredits score: 55th percentile of all films
Daughter of the Wolf(2019)
Executive Producer
Midcredits score: 25th percentile of all films
American Hangman(2019)
Producer
Midcredits score: 39th percentile of all films
Benjamin(2019)
Producer
Midcredits score: 3rd percentile of all films
The Fanatic(2019)
Producer
Midcredits score: 15th percentile of all films
High Resolution(2018)
Executive Producer
Midcredits score: 9th percentile of all films
Birthmarked(2018)
Executive Producer
Midcredits score: 30th percentile of all films
Social Animals(2018)
Producer
Midcredits score: 19th percentile of all films
Sorry for Your Loss(2018)
Producer
Midcredits score: 16th percentile of all films
The Accountant of Auschwitz(2018)
Producer
Midcredits score: 89th percentile of all films
The Padre(2018)
Producer
Midcredits score: 31st percentile of all films
An Imperfect Murder(2017)
Executive Producer
Midcredits score: 5th percentile of all films
Jungle(2017)
Executive Producer
Midcredits score: 69th percentile of all films
Another Kind of Wedding(2017)
Producer
Midcredits score: 5th percentile of all films
Milton's Secret(2016)
Executive Producer
Midcredits score: 51st percentile of all films
My New Best Friend(2015)
Executive Producer
Midcredits score: 62nd percentile of all films
Jackie & Ryan(2014)
Co-Executive Producer
Midcredits score: 40th percentile of all films
Jeremy Fink and the Meaning of Life(2011)
Executive Producer
Midcredits score: 37th percentile of all films
An Awkward Sexual Adventure(2012)
Producer
Midcredits score: 48th percentile of all films
Life's a Jungle: Africa's Most Wanted(2012)
Producer
Midcredits score: 2nd percentile of all films
Another Happy Day(2011)
Executive Producer
Midcredits score: 45th percentile of all films
Knockout(2011)
Producer
Midcredits score: 19th percentile of all films
War of the Dead (not in the MovieCove catalog yet)(2006)
Executive Producer

Career shape

A full career of 34 titles from 2006 to 2026.

Biggest box office

Jungle (2017)

$1.9M worldwide

Highest rated

The Accountant of Auschwitz (2018)

Midcredits 89^th

By role

only this rolewith another role

Producing34 of 34 · 38^th

By decade

2000s1 · crew2010s12 · crew2020s21 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Berry Meyerowitz's films land?

Their typical MovieCove film has a Midcredits score in the 30^th percentile, the median of all 55; across their 55 films with reception data, the typical film sits in the 29^th percentile for acclaim.

Acclaim · how much people like their films

29^thpercentile

Typical film, the median of 55

Approval · how many liked their films

26^thpercentile

Typical film, the median of 55

Reach · how many have seen their films

77^thpercentile

Typical film, the median of 55

Midcredits score across 55 titles, by percentile

75^th and up3
50^th to 74^th7
25^th to 49^th20
Below 25^th25

Shape of the crowd

27 of their 55 titles are Mixed.

Universally Panned4
Divisive2
Cult Classic5
Crowd Pleaser9
Broadly Agreed8
Mixed27

Most divisive · producer

Life's a Jungle: Africa's Most Wanted (2012)

94^th percentile spread · 80% rated it 4 or lower

Most loved · producer

The Accountant of Auschwitz (2018)

Midcredits 89^th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Berry Meyerowitz's work okay for kids?

Across up to 26 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore19 titles32–91 · median 73 · intenseheavier than most films

Sex & Nudity26 titles5–56 · median 29 · mildnear the median of all films

Profanity18 titles40–85 · median 71 · intenseheavier than most films

Alcohol & Drugs13 titles12–63 · median 41 · moderatenear the median of all films

Frightening / Intense15 titles24–75 · median 65 · intenseheavier than most films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.