- Editor, also producer
- 17 on MovieCove · 18 credits in all
What are Jonathan Schwartz's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 9
Light 8 · Serious 2 · Dark 1
A split, not a type: Grounded 6 · Stylized 4 · Heightened 1
Gentle 2 · Charged 7 · Intense 2
A split, not a type: Steady 6 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 2 · Some laughs 3 · Funny 6
Slow burn 3 · Even-paced 6 · Relentless 2
Casual 8 · Engaged 3 · Full focus 0
Easy watch 7 · Affecting 3 · Heavy 1
Resolved 9 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jonathan Schwartz's films?
As of October 24, 2026, 14 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- The Big C (2010) · editor · free
- God Went Surfing with the Devil (2010) · producer · free
- I Want You Back (2022) · editor · free
- W. (2008) · first assistant editor · free
- In Lieu of Flowers (2013) · editor · free
- Lions for Lambs (2007) · assistant editor · free
- White Men Can't Jump (2023) · editor · free
- Allegiance (2012) · editor · free
Subscription and free streaming for Jonathan Schwartz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 17 with a MovieCove page.

Scary Movie(2026)
Midcredits score: 16th percentile of all films
White Men Can't Jump(2023)
Midcredits score: 25th percentile of all films
Rosaline(2022)
Midcredits score: 68th percentile of all films
I Want You Back(2022)
Midcredits score: 63rd percentile of all films
The Sleepover(2020)
Midcredits score: 30th percentile of all films
Stuber(2019)
Midcredits score: 44th percentile of all films
The Spy Who Dumped Me(2018)
Midcredits score: 44th percentile of all films
Midcredits score: 38th percentile of all films
Let's Be Cops(2014)
Midcredits score: 53rd percentile of all films
In Lieu of Flowers(2013)
Midcredits score: 44th percentile of all films
Allegiance(2012)
Midcredits score: 16th percentile of all films
What's Your Number?(2011)
Midcredits score: 44th percentile of all films
The Big C(2010)
Midcredits score: 88th percentile of all shows
Midcredits score: 74th percentile of all films (provisional, few ratings)
Oh Baby, I Love You! (not in the MovieCove catalog yet)(2009)

W.(2008)
Midcredits score: 50th percentile of all films
Lions for Lambs(2007)
Midcredits score: 41st percentile of all films
Ways of the Flesh(2006)
Midcredits score: 20th percentile of all films
Career shape
A full career of 15 titles from 2007 to 2026.

Biggest box office
Scary Movie (2026)

Highest rated
I Want You Back (2022)

Most popular right now
Scary Movie (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jonathan Schwartz's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 16; across their 11 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th8
- Below 25th3
Shape of the crowd
7 of their 17 titles are Mixed.
- Divisive1
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed4
- Mixed7
Reviewers score the pacing 42/100 in their films, across 10 reviewed titles; fans 59, detractors 24. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jonathan Schwartz's work okay for kids?
Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Jonathan Schwartz work with?
People who share at least 2 of Jonathan Schwartz's MovieCove titles; Nicholas Thomas shares the most, 2.
- Nicholas ThomasShared titles: Stuber (2019), Let's Be Cops (2014)See all 2 shared titles with Nicholas Thomas





