- USA
- Producer and director
- 11 on MovieCove · 14 credits in all
What are Lesley Chilcott's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Ideas and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 1 · Serious 2 · Dark 3
Grounded 6 · Stylized 0 · Heightened 0
Gentle 2 · Charged 3 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 5 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 2
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet7
- Ambiguous1
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lesley Chilcott's films?
As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on MGM+ (2).
Subscription and free streaming for Lesley Chilcott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 11 with a MovieCove page.
Midcredits score: 82nd percentile of all shows
Arnold(2023)
Midcredits score: 93rd percentile of all shows
Midcredits score: 34th percentile of all shows
Midcredits score: 59th percentile of all shows
Watson(2019)
Midcredits score: 96th percentile of all films
Maxima(2019)
Midcredits score: 93rd percentile of all films (provisional, few ratings)
Midcredits score: 68th percentile of all films
CodeGirl (not in the MovieCove catalog yet)(2015)
A Small Section of the World (not in the MovieCove catalog yet)(2014)
Waiting for Superman(2010)
Midcredits score: 88th percentile of all films
It Was a Dark and Silly Night (not in the MovieCove catalog yet)(2008)
It Might Get Loud(2008)
Midcredits score: 94th percentile of all films
An Inconvenient Truth(2006)
Midcredits score: 86th percentile of all films
Female Perversions(1996)
Midcredits score: 35th percentile of all films
Career shape
A full career of 10 titles from 1996 to 2024.
Biggest box office
An Inconvenient Truth (2006)
Highest rated
It Might Get Loud (2008)
Most popular right now
Arnold (2023)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lesley Chilcott's films land?
Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up7
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
5 of their 11 titles are Mixed.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser3
- Mixed5
Reviewers score the atmosphere 72/100 and the pacing 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Lesley Chilcott's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Lesley Chilcott work with?
People who share at least 2 of Lesley Chilcott's MovieCove titles, grouped by what they did on them; Davis Guggenheim shares the most, 4.
Directors
- Davis GuggenheimShared titles: An Inconvenient Sequel: Truth to Power (2017), Waiting for Superman (2010), It Might Get Loud (2008), An Inconvenient Truth (2006)See all 4 shared titles with Davis Guggenheim
Writers
- Al GoreShared titles: An Inconvenient Sequel: Truth to Power (2017), An Inconvenient Truth (2006)See all 2 shared titles with Al Gore
Composers, cinematographers and editors
- Christophe BeckShared titles: Arnold (2023), Watson (2019), Waiting for Superman (2010)See all 3 shared titles with Christophe Beck
- Logan SchneiderShared titles: Arnold (2023), Helter Skelter: An American Myth (2020), Watson (2019)See all 3 shared titles with Logan Schneider
- Greg FintonShared titles: Watson (2019), Waiting for Superman (2010), It Might Get Loud (2008)See all 3 shared titles with Greg Finton
- Steve PrestemonShared titles: Arnold (2023), Helter Skelter: An American Myth (2020)See all 2 shared titles with Steve Prestemon
Producers
- Diane WeyermannShared titles: Watson (2019), An Inconvenient Sequel: Truth to Power (2017), Waiting for Superman (2010), An Inconvenient Truth (2006)See all 4 shared titles with Diane Weyermann
- Jeff SkollShared titles: Watson (2019), An Inconvenient Sequel: Truth to Power (2017), Waiting for Superman (2010), An Inconvenient Truth (2006)See all 4 shared titles with Jeff Skoll
- Phil LaavegShared titles: Mastermind: To Think Like a Killer (2024), Helter Skelter: An American Myth (2020)See all 2 shared titles with Phil Laaveg
- Rebecca HalpernShared titles: Mastermind: To Think Like a Killer (2024), Helter Skelter: An American Myth (2020)See all 2 shared titles with Rebecca Halpern
