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Rachel Clark

Cinematographer · Born July 11, 1981 (45) · Gateshead, Tyne and Wear, England, UK

Born
July 11, 1981 (45)
From
Gateshead, Tyne and Wear, England, UK
Works as
Cinematographer
Titles
11 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 24% in 30 days

What are Rachel Clark's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
38%
Self
37%
Society
11%
Power
10%
Morality
5%
Identity4 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 0 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Joyful
2
Contemplative
3
Bittersweet
3
Warm
2
Other
4

How their films linger

Unsettling3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy2
  • Bittersweet1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rachel Clark's films?

As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Rachel Clark's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 11 with a MovieCove page.

  • Finding Emily(2026)

    Cinematographer

    Midcredits score: 82nd percentile of all films

  • Two Places at Once (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Delivery (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Edge of Summer (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Queenie(2024)

    Show Cinematographer

    Midcredits score: 37th percentile of all shows

  • Treeline (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • Men(2022)

    "B" Camera Operator

    Midcredits score: 42nd percentile of all films

  • Without Sin(2022)

    Show Cinematographer

    Midcredits score: 38th percentile of all shows

  • Pirates(2021)

    Cinematographer

    Midcredits score: 42nd percentile of all films

  • Concrete Plans(2020)

    Cinematographer

    Midcredits score: 30th percentile of all films

  • Shagbands (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • Rocks (not in the MovieCove catalog yet)(2020)

    "B" Camera Operator

  • I Am...(2019)

    Show 1 episode · Cinematographer

    Midcredits score: 43rd percentile of all shows

  • Boys on Film 18: Heroes (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Nosebleed (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • shortFLIX (not in the MovieCove catalog yet)(2018)

    Show 1 episode · Cinematographer

  • You Know Where (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Silly Girl (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • The Last Days on Mars(2013)

    Clapper Loader

    Midcredits score: 20th percentile of all films

  • World War Z(2013)

    Second Assistant Camera

    Midcredits score: 78th percentile of all films

  • Enid (not in the MovieCove catalog yet)(2009)

    Clapper Loader

  • Fish Tank(2009)

    Second Assistant Camera

    Midcredits score: 89th percentile of all films

  • Control(2007)

    Camera Trainee

    Midcredits score: 97th percentile of all films

  • This Is England (not in the MovieCove catalog yet)(2007)

    Production Assistant

Career shape

A full career of 22 titles from 2007 to 2026.

Biggest box office

Finding Emily (2026)

$3.1M worldwide

Highest rated

Finding Emily (2026)

Midcredits 82nd

By role

only this rolewith another role
Cinematography14 of 22: 14 only cinematography, 0 with another roleOther crew8 of 22: 8 only other crew, 0 with another role · typical Midcredits score78th

By decade

2000s4 · crew2010s8 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rachel Clark's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 8; across a limited sample of 3 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 3

Approval · how many liked their films

32ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

69thpercentile
Typical film, the median of 3

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

5 of their 11 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed5

Most divisive · cinematographer

Queenie (2024)

67th percentile spread · 15% rated it 4 or lower

Most loved · cinematographer

Finding Emily (2026)

Midcredits 82nd · 70% liked

Reviewers score the cinematography 68/100 in their films, across 3 reviewed titles; fans 75, detractors 53. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rachel Clark work with?

People who share at least 2 of Rachel Clark's MovieCove titles; Perry Fitzpatrick shares the most, 2.