
Lisa Remington is an Oscar and Emmy-winning filmmaker who has produced over three dozen documentaries that have premiered at the Telluride, Sundance, SXSW, Tribeca, and Cannes Film Festivals while going on to find homes at Netflix, HBO, CNN Films and PBS. Her hands-on approach of overseeing films from development through release has resulted in Robb Moss' third installment of his river trilogy, The Bend in the River, Molly O'Brien's Oscar-winning The Only Girl in the Orchestra, Nathaniel Khan's Emmy-winning Hunt for Planet B, and Emmy-nominated The Price of Everything. Other films include: Johanna Demetrakas' Feminists: What Were They Thinking?; the 2021 Jackson Wild Media Award winner, After Antarctica; Sam Feder's Disclosure; Lucy Walker's Countdown to Zero and Mark Jonathan Harris' look at the Los Angeles foster care system, Foster. Her current slate of films set to release in early 2027 includes Kate Amend and Tim Marrinan's look at the trailblazing artist Judy Chicago's life and work Judy Chicago Untitled and Jeff Reichert and Alexandra Kerry's climate negotiation documentary, One Point Five. Lisa mentors for the Sundance Institute's Creative Producing Program and is a member of the Academy of Motion Picture Arts and Sciences.
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Biography from IMDb.
- May 22, 1979 (47)
- Bellevue, Washington, USA
- Producer
- 17 on MovieCove · 23 credits in all
What are Lisa Remington's films like?
Across their 17 MovieCove titles with a thematic analysis, their films lean Society and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 15
Light 4 · Serious 7 · Dark 4
Grounded 14 · Stylized 1 · Heightened 0
Gentle 5 · Charged 10 · Intense 0
Steady 14 · Shifting 1 · Whiplash 0
Straight-faced 14 · Some laughs 1 · Funny 0
Slow burn 14 · Even-paced 1 · Relentless 0
Casual 5 · Engaged 9 · Full focus 1
A split, not a type: Easy watch 6 · Affecting 5 · Heavy 4
Resolved 13 · Open-ended 1 · Ambiguous 1
Moods and endings
- Bittersweet10
- Tragic1
- Ambiguous5
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lisa Remington's films?
As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on Netflix (4).
- discovery+
Subscription and free streaming for Lisa Remington's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 17 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

#Skyking(2026)
Midcredits score: 87th percentile of all films
The Bend in the River (not in the MovieCove catalog yet)(2025)

Power(2024)
Midcredits score: 55th percentile of all films
Midcredits score: 65th percentile of all films
Food and Country(2023)
Midcredits score: 57th percentile of all films
Joonam(2023)
Midcredits score: 79th percentile of all films
Murf the Surf(2023)
Midcredits score: 23rd percentile of all shows
Harry & Meghan(2022)
Midcredits score: 5th percentile of all shows
After Antarctica(2021)
Midcredits score: 98th percentile of all films (provisional, few ratings)
The Hunt for Planet B(2021)
Midcredits score: 72nd percentile of all films
Disclosure(2020)
Midcredits score: 98th percentile of all films
The Price of Everything(2018)
Midcredits score: 90th percentile of all films
Foster(2018)
Midcredits score: 79th percentile of all films
Midcredits score: 86th percentile of all films
Midcredits score: 81st percentile of all films
Telescope(2016)
Midcredits score: 93rd percentile of all films
Raising Ryland (not in the MovieCove catalog yet)(2015)

Cesar's Last Fast(2014)
Midcredits score: 75th percentile of all films (provisional, few ratings)
The Road We've Traveled (not in the MovieCove catalog yet)(2012)

Ethel(2012)
Midcredits score: 94th percentile of all filmsJudy Chicago (not in the MovieCove catalog yet)
One Point Five (not in the MovieCove catalog yet)
Watch You Rise (not in the MovieCove catalog yet)
Career shape
A full career of 12 titles, 9 of them dated from 2012 to 2025.

Biggest box office
Citizen Jane: Battle for the City (2016)

Highest rated
Disclosure (2020)

Most popular right now
Harry & Meghan (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Won an Oscar in 2025, Best Documentary Short Film.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Lisa Remington's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 84th percentile for acclaim.
- 75th and up11
- 50th to 74th4
- Below 25th2
Shape of the crowd
7 of their 17 titles are Crowd Pleasers.
- Universally Loved2
- Divisive1
- Cult Classic2
- Crowd Pleaser7
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lisa Remington work with?
People who share at least 2 of Lisa Remington's MovieCove titles, grouped by what they did on them; Nathaniel Kahn shares the most, 3.
Directors
- Nathaniel KahnShared titles: The Hunt for Planet B (2021), The Price of Everything (2018), Telescope (2016)See all 3 shared titles with Nathaniel Kahn

Cinematographers and editors
- Don BernierShared titles: Murf the Surf (2023), After Antarctica (2021)See all 2 shared titles with Don Bernier

- Martina RadwanShared titles: Food and Country (2023), The Only Girl in the Orchestra (2023)See all 2 shared titles with Martina Radwan

- Robert RichmanShared titles: The Hunt for Planet B (2021), Telescope (2016)See all 2 shared titles with Robert Richman
- Kate AmendShared titles: Feminists: What Were They Thinking? (2018), Foster (2018)See all 2 shared titles with Kate Amend
Producers
- Susan RickettsShared titles: Feminists: What Were They Thinking? (2018), Citizen Jane: Battle for the City (2016), Cesar's Last Fast (2014)See all 3 shared titles with Susan Ricketts
- Dan CoganShared titles: Power (2024), Harry & Meghan (2022)See all 2 shared titles with Dan Cogan

- Jon BardinShared titles: Power (2024), Harry & Meghan (2022)See all 2 shared titles with Jon Bardin

- Caroline LibrescoShared titles: Food and Country (2023), Disclosure (2020)See all 2 shared titles with Caroline Libresco

Mixed roles
- Liz GarbusShared titles: Power (2024), Harry & Meghan (2022)See all 2 shared titles with Liz Garbus

- Yance FordShared titles: Power (2024), Disclosure (2020)See all 2 shared titles with Yance Ford



