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Harry Escott

Harry Escott

Composer · Born September 9, 1976 (50) · London, England, UK

Born
September 9, 1976 (50)
From
London, England, UK
Works as
Composer
Titles
29 on MovieCove · 40 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 8% in 30 days

What are Harry Escott's films like?

Across their 28 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Drama7 titlesTypical Midcredits score: 85th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 36th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Biography movies
Crime2 titlesTypical Midcredits score: 36th percentile
: browse their Crime movies
Documentary2 titlesTypical Midcredits score: 92nd percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
20%
Morality
18%
Bonds
17%
Self
16%
Power
15%
Society
11%
Ideas
2%
Justice7 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeTrauma4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeGrief4 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 5 · Dark 12

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 6 · Heightened 0

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 5 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 10 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 16 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 8 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 13 · Full focus 2

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 2 · Affecting 4 · Heavy 11

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 11 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Melancholic
18
Dread
10
Cold
6
Contemplative
5
Other
15

How their films linger

Haunting12 titles, browse their movies with this aftertasteThought-provoking12 titles, browse their movies with this aftertasteUnsettling9 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteDevastating5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy1
  • Bittersweet17
  • Tragic3
  • Ambiguous6
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Escott's films?

As of October 24, 2026, 22 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Harry Escott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 29 with a MovieCove page.

  • I See Buildings Fall Like Lightning (not in the MovieCove catalog yet)(2026)

    Composer

  • Gone(2026)

    Show Composer

    Midcredits score: 48th percentile of all shows

  • Joan(2024)

    Show 6 episodes · Composer

    Midcredits score: 36th percentile of all shows

  • Rebus(2024)

    Show Composer

    Midcredits score: 49th percentile of all shows

  • The Thief, His Wife and the Canoe(2022)

    Show 4 episodes · Composer

    Midcredits score: 63rd percentile of all shows

  • Why Didn't They Ask Evans?(2022)

    Show 3 episodes · Composer

    Midcredits score: 49th percentile of all shows

  • Ali & Ava(2021)

    Composer

    Midcredits score: 72nd percentile of all films

  • Uprising (not in the MovieCove catalog yet)(2021)

    Show 3 episodes · Composer

  • Roadkill(2020)

    Show 4 episodes · Composer

    Midcredits score: 41st percentile of all shows

  • The English Game(2020)

    Show Composer

    Midcredits score: 81st percentile of all shows

  • Greed(2019)

    Composer

    Midcredits score: 31st percentile of all films

  • Wild Bill(2019)

    Show 6 episodes · Composer

    Midcredits score: 46th percentile of all shows

  • The Wedding Guest(2018)

    Composer

    Midcredits score: 33rd percentile of all films

  • Retablo(2017)

    Composer

    Midcredits score: 93rd percentile of all films

  • Deep State (not in the MovieCove catalog yet)(2018)

    Show 8 episodes · Composer

  • Journeyman (not in the MovieCove catalog yet)(2018)

    Composer

  • Damascus Cover(2017)

    Composer

    Midcredits score: 21st percentile of all films

  • Dark River(2017)

    Composer

    Midcredits score: 44th percentile of all films

  • Everything Now (not in the MovieCove catalog yet)(2016)

    Composer

  • River(2015)

    Show 6 episodes · Composer

    Midcredits score: 87th percentile of all shows

  • The Face of an Angel(2014)

    Composer

    Midcredits score: 7th percentile of all films

  • New Worlds(2014)

    Show 4 episodes · Composer

    Midcredits score: 19th percentile of all shows

  • The Selfish Giant(2013)

    Composer

    Midcredits score: 92nd percentile of all films

  • Out of Darkness (not in the MovieCove catalog yet)(2013)

    Composer

  • Run (not in the MovieCove catalog yet)(2013)

    Show 4 episodes · Composer

  • Welcome to the Punch(2013)

    Composer

    Midcredits score: 39th percentile of all films

  • What Remains(2013)

    Show Composer

    Midcredits score: 73rd percentile of all shows

  • Shame(2011)

    Composer

    Midcredits score: 85th percentile of all films

  • The Arbor(2010)

    Composer

    Midcredits score: 87th percentile of all films

  • I Am Slave(2010)

    Composer

    Midcredits score: 70th percentile of all films

  • Father & Son (not in the MovieCove catalog yet)(2009)

    Show 4 episodes · Composer

  • Shifty(2008)

    Composer

    Midcredits score: 65th percentile of all films

  • Poppy Shakespeare (not in the MovieCove catalog yet)(2008)

    Composer

  • Stephen Fry in America(2008)

    Show Composer

    Midcredits score: 86th percentile of all shows

  • A Mighty Heart(2007)

    Composer

    Midcredits score: 67th percentile of all films

  • Deep Water(2006)

    Composer

    Midcredits score: 96th percentile of all films

  • Ghosts (not in the MovieCove catalog yet)(2006)

    Composer

  • Hard Candy(2005)

    Composer

    Midcredits score: 78th percentile of all films

  • The Road to Guantanamo(2006)

    Composer

    Midcredits score: 88th percentile of all films

  • A View from a Hill (not in the MovieCove catalog yet)(2005)

    Composer

Career shape

A full career of 35 titles, 34 of them dated from 2005 to 2024.

Biggest box office

Shame (2011)

$19M worldwide

Highest rated

Deep Water (2006)

Midcredits 96th

Most popular right now

Shame (2011)

By role

only this rolewith another role
Music35 of 35: 35 only music, 0 with another role · typical Midcredits score64th

By decade

2000s9 · crew2010s19 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Harry Escott's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 17

Approval · how many liked their films

67thpercentile
Typical film, the median of 17

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 17

Midcredits score across 29 titles, by percentile

  • 75th and up10
  • 50th to 74th6
  • 25th to 49th10
  • Below 25th3

Shape of the crowd

14 of their 29 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser14
  • Broadly Agreed8
  • Mixed4

Most divisive · composer

New Worlds (2014)

59th percentile spread · 18% rated it 4 or lower

Most loved · composer

Deep Water (2006)

Midcredits 96th · 87% liked

Reviewers score the sound and music 58/100 in their films, across 14 reviewed titles; fans 63, detractors 41. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Harry Escott's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles39–71 · median 56 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles14–63 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles48–85 · median 66 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles41–69 · median 51 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense7 titles33–75 · median 44 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Harry Escott work with?

People who share at least 2 of Harry Escott's MovieCove titles, grouped by what they did on them; Molly Nyman shares the most, 8.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles