Hannah Farrell
Hannah Farrell joined Fable as Creative Partner in 2018. Hannah began her career in development in 2000 when she joined Working Title Films as a Development Assistant working on films such as Shaun of the Dead and Hot Fuzz (directed by Edgar Wright, starring Simon Pegg and Nick Frost). Several years later, Hannah joined Ruby Films as Head of Development where she built a slate of projects under their first-look deal with Film4 and Miramax. She worked across a number of projects including Chatroom, starring Aaron Taylor-Johnson and Imogen Poots (directed by Hideo Nakata, written by Enda Walsh); Stephen Frears’ Tamara Drewe starring Gemma Arterton, written by Moira Buffini; Cary Fukunaga’s Jane Eyre starring Michael Fassbender and Mia Wasikowska, written by Moira Buffini; Saving Mr Banks starring Tom Hanks and Emma Thompson (directed by John Lee Hancock, written by Kelly Marcel and Sue Smith); and Sarah Gavron’s Suffragette with Carey Mulligan, Meryl Streep and Helena Bonham Carter, and written by Abi Morgan. She also developed SJ Clarkson's Toast, starring Freddie Highmore and Helena Bonham Carter, written by Lee Hall, and Case Histories for BBC One, starring Jason Isaacs, Amanda Abbington and Zawe Ashton. In 2015 Hannah joined Origin Pictures, where she headed up both the TV and Film division, overseeing development of projects including BBC1’s hit show The Woman in White (starring Jessie Buckley, Olivia Vinall and Dougray Scott, written by Wilkie Collins and Fiona Seres, and directed by Carl Tibbetts).
Read moreShow less
Biography from TMDB.
- Producer
- 8 on MovieCove · 11 credits in all
Known for
What are Hannah Farrell's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 1
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet5
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hannah Farrell's films?
As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Hannah Farrell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 8 with a MovieCove page.
Mr Loverman(2024)
Midcredits score: 43rd percentile of all shows
The Renata Road(2022)
Midcredits score: 53rd percentile of all films
Anne Boleyn (not in the MovieCove catalog yet)(2021)
Deep-Fried Fingers (not in the MovieCove catalog yet)(2021)
Rocks (not in the MovieCove catalog yet)(2020)
Suffragette(2015)
Midcredits score: 78th percentile of all films
Midcredits score: 95th percentile of all shows (provisional, few ratings)
Jane Eyre(2011)
Midcredits score: 90th percentile of all films
Chatroom(2010)
Midcredits score: 29th percentile of all films
Tamara Drewe(2010)
Midcredits score: 47th percentile of all films
Toast(2010)
Midcredits score: 62nd percentile of all films
Career shape
A full career of 8 titles from 2010 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Hannah Farrell's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th3
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser3
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Hannah Farrell's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Hannah Farrell work with?
People who share at least 2 of Hannah Farrell's MovieCove titles, grouped by what they did on them; Faye Ward shares the most, 5.
Writers
- Moira BuffiniShared titles: Jane Eyre (2011), Tamara Drewe (2010)See all 2 shared titles with Moira Buffini
Producers
- Faye WardShared titles: Mr Loverman (2024), Jane Eyre (2011), Chatroom (2010), Tamara Drewe (2010), Toast (2010)See all 5 shared titles with Faye Ward
- Alison OwenShared titles: Jane Eyre (2011), Chatroom (2010), Tamara Drewe (2010), Toast (2010)See all 4 shared titles with Alison Owen
- Paul TrijbitsShared titles: Jane Eyre (2011), Chatroom (2010), Tamara Drewe (2010), Toast (2010)See all 4 shared titles with Paul Trijbits
- Christine LanganShared titles: Jane Eyre (2011), Tamara Drewe (2010)See all 2 shared titles with Christine Langan
