- Producer and writer
- 4 on MovieCove
What are Isabel Teitler's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Isabel Teitler's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Isabel Teitler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Transatlantic(2023)
Midcredits score: 30th percentile of all shows
The Great Gilly Hopkins(2015)
Midcredits score: 59th percentile of all films
Rob the Mob(2014)
Midcredits score: 54th percentile of all films
What Maisie Knew(2012)
Midcredits score: 92nd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2012 to 2023.
How do Isabel Teitler's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Reviewers score the dialogue 63/100 and the plot and story 55/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Isabel Teitler work with?
People who share at least 2 of Isabel Teitler's MovieCove titles, grouped by what they did on them; William Teitler shares the most, 3.
Editors
- David LeonardShared titles: The Great Gilly Hopkins (2015), Rob the Mob (2014)See all 2 shared titles with David Leonard
Producers
- William TeitlerShared titles: The Great Gilly Hopkins (2015), Rob the Mob (2014), What Maisie Knew (2012)See all 3 shared titles with William Teitler
- Richard AtkinsonShared titles: The Great Gilly Hopkins (2015), Rob the Mob (2014)See all 2 shared titles with Richard Atkinson
- William KayShared titles: The Great Gilly Hopkins (2015), Rob the Mob (2014)See all 2 shared titles with William Kay