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Chris Malone

Director and producer

Works as
Director and producer
Titles
3 on MovieCove · 6 credits in all
TMDB popularity, last 37 days to Oct 26Up 22% in 30 days

What are Chris Malone's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

Themes

share of theme weight
Society
28%
Ideas
27%
Self
17%
Survival
17%
Morality
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 0 · Dark 1

Grounded 3 · Stylized 0 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
2
Contemplative
2
Joyful
1
Tense
1
Cold
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Malone's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Chris Malone's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 3 with a MovieCove page.

  • Midcredits score: 85th percentile of all films
  • Being Poirot(2013)

    Director · Producer

    Midcredits score: 98th percentile of all films
  • David Suchet on the Orient Express(2010)

    Director · Producer

    Midcredits score: 95th percentile of all films
  • Billy Connolly: Journey to the Edge of the World (not in the MovieCove catalog yet)(2009)

    Show 5 episodes · Director

  • Real Life (not in the MovieCove catalog yet)(1999)

    Show 1 episode · Director · Cinematographer · Producer

  • World in Action (not in the MovieCove catalog yet)(1963)

    Show 10 episodes · Director

Career shape

A full career of 6 titles from 1963 to 2017.

By role

only this rolewith another role
Directing6 of 6: 3 only directing, 3 with another roleProducing3 of 6: 0 only producing, 3 with another roleCinematography1 of 6: 0 only cinematography, 1 with another role

6 titles, 3 with more than one role — directing and producing overlap on 3 of them.

By decade

1960s1 · crew1990s1 · crew2000s1 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Chris Malone's films land?

Their typical MovieCove film has a Midcredits score in the 95th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 93rd percentile for acclaim.

Acclaim · how much people like their films

93rdpercentile
Typical film, the median of 3

Approval · how many liked their films

94thpercentile
Typical film, the median of 3

Reach · how many have seen their films

17thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chris Malone work with?

People who share at least 2 of Chris Malone's MovieCove titles, grouped by what they did on them; Kim Horton shares the most, 3.

Actors

Composers and editors

Mixed roles