Skip to content
MovieCove

What are Rafi Spivak's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 28 films
ToneFeelDemandtheir average · filled zone: the category

Light 20 · Serious 6 · Dark 2

Grounded 23 · Stylized 5 · Heightened 0

A split, not a type: Gentle 18 · Charged 8 · Intense 2

Steady 20 · Shifting 7 · Whiplash 1

Straight-faced 10 · Some laughs 14 · Funny 4

Slow burn 15 · Even-paced 13 · Relentless 0

Casual 20 · Engaged 7 · Full focus 1

Resolved 23 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
13
Hopeful
13
Romantic
11
Tense
9
Joyful
11
Other
24

How their films end · 1 with a twist

  • Happy19
  • Bittersweet9
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rafi Spivak's films?

As of October 24, 2026, 25 of their 30 MovieCove titles stream on a subscription or free service, most on Hallmark+ (14).

Subscription and free streaming for Rafi Spivak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 30 with a MovieCove page.

  • I'll Be Seeing You(2026)

    Editor

    Midcredits score: 82nd percentile of all films
  • Missing the Boat(2026)

    Editor

    Midcredits score: 71st percentile of all films
  • The Greek Aisle(2026)

    Editor

    Midcredits score: 76th percentile of all films
  • An Alpine Holiday(2025)

    Editor

    Midcredits score: 43rd percentile of all films
  • The Royal We(2025)

    Editor

    Midcredits score: 64th percentile of all films
  • Savoring Paris(2024)

    Editor

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 69th percentile of all films
  • A Paris Proposal(2023)

    Editor

    Midcredits score: 57th percentile of all films
  • Midcredits score: 54th percentile of all films
  • Castaways(2023)

    Editor

    Midcredits score: 16th percentile of all films
  • Dream Moms(2023)

    Editor

    Midcredits score: 31st percentile of all films
  • Joyeux Noel(2023)

    Editor

    Midcredits score: 43rd percentile of all films
  • Love's Greek to Me(2023)

    Editor

    Midcredits score: 38th percentile of all films
  • Murder for Sale(2023)

    Editor

    Midcredits score: 45th percentile of all films (provisional, few ratings)
  • She Talks to Strangers(2023)

    Editor · Producer

    Midcredits score: 37th percentile of all films (provisional, few ratings)
  • Fit for Christmas(2022)

    Editor

    Midcredits score: 38th percentile of all films
  • Midcredits score: 39th percentile of all films
  • Midcredits score: 5th percentile of all films
  • Red Snow(2019)

    Editor

    Midcredits score: 18th percentile of all films
  • Midcredits score: 64th percentile of all films (provisional, few ratings)
  • Kingsway(2018)

    Editor · Producer

    Midcredits score: 17th percentile of all films (provisional, few ratings)
  • A Harvest Wedding(2017)

    Editor

    Midcredits score: 65th percentile of all films
  • Midcredits score: 29th percentile of all films
  • Midcredits score: 60th percentile of all films
  • Midcredits score: 74th percentile of all films
  • Midcredits score: 26th percentile of all films
  • Timber Kings(2014)

    Show Editor

    Midcredits score: 50th percentile of all shows
  • The Dick Knost Show(2013)

    Editor · Producer

    Midcredits score: 14th percentile of all films (provisional, few ratings)
  • Excited(2009)

    Editor

    Midcredits score: 38th percentile of all films (provisional, few ratings)
  • The Stagers(2008)

    Show Editor · Writer

    Midcredits score: 53rd percentile of all shows (provisional, few ratings)

Career shape

Across their 30 MovieCove titles from 2008 to 2026.

By role

only this rolewith another role
Writing1 of 30: 0 only writing, 1 with another roleProducing3 of 30: 0 only producing, 3 with another roleEditing30 of 30: 26 only editing, 4 with another role · typical Midcredits score44th

30 titles, 4 with more than one role — editing and producing overlap on 3 of them.

By decade

2000s2 · crew2010s10 · crew2020s18 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Rafi Spivak's films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 28; across their 28 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 28

Approval · how many liked their films

44thpercentile
Typical film, the median of 28

Reach · how many have seen their films

59thpercentile
Typical film, the median of 28

Midcredits score across 30 titles, by percentile

  • 75th and up2
  • 50th to 74th12
  • 25th to 49th11
  • Below 25th5

Reviewers score the pacing 48/100 in their films, across 21 reviewed titles; fans 57, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rafi Spivak work with?

People who share at least 2 of Rafi Spivak's MovieCove titles, grouped by what they did on them; Alexander Krumov shares the most, 9.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles