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Margret Rey

Margret Rey

Writer · Died December 21, 1996, aged 90

Margret Elizabeth Rey (May 10, 1906 – December 21, 1996), born Margarete Elisabeth Waldstein, was (with her husband H. A. Rey), the co-author and illustrator of children's books, the most famous of which are the Curious George series. Margarete Waldstein was born in Hamburg in 1906; her father was a member of the Reichstag. She studied art at Bauhaus in Dessau, Kunstakademie Düsseldorf, and the University of Munich, and afterwards worked in advertising. In 1935, she left Germany for Rio de Janeiro, Brazil to escape Nazism. While there, she met her future husband Hans (who was a salesman and also from Hamburg). They married in 1935 and moved to Paris, France, in 1936. [2] While in Paris, Hans's animal drawings came to the attention of French publisher, who commissioned him to write a children's book. The result, Cecily G. and the Nine Monkeys, is little remembered today, but one of its characters, an adorably impish monkey named Curious George, was such a success that the couple considered writing a book just about him. Their work was interrupted with the outbreak of World War II. As Jews, the Reys decided to flee Paris before the Nazis seized the city. Hans built two bicycles, and they fled Paris just a few hours before it fell. Among the meager possessions they brought with them was the illustrated manuscript of Curious George. The Reys' odyssey brought them to the Spanish border, where they bought train tickets to Lisbon. From there they returned to Brazil, where they had met five years earlier, but this time they continued to New York, New York, USA. The books were published by Houghton Mifflin in 1941, though certain changes had to be introduced because of the technology of the time. Hans and Margret originally planned to use watercolors to illustrate the books, but since they were responsible for the color separation, he changed these to the cartoon-like images that continue to feature in each of the books. (A collector's edition with the original watercolors was released in 1998.)[3] Curious George was an instant success, and the Reys were commissioned to write more adventures of the mischievous monkey and his friend, the Man with the Yellow Hat. They wrote seven stories in all, with Hans mainly doing the illustrations and Margret working mostly on the stories, though they both admitted to sharing the work and cooperating fully in every stage of development. At first, however, Margret's name was left off the cover, ostensibly because there was a glut of women already writing children's fiction. In later editions, this was corrected, and Margret now receives full credit for her role in developing the stories. Margret and her husband moved to Cambridge, Massachusetts in 1963, in a house close to Harvard Square. Following her husband's death in 1977, Margret continued writing, and in 1979, became a Professor of Creative Writing at Brandeis University in Waltham, Massachusetts. Starting in 1980, she also began to collaborate with Alan Shalleck on a series of short films featuring Curious George and more than two dozen additional books. Description above from the Wikipedia article Margret Rey, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
May 10, 1906
Died
December 21, 1996 (aged 90)
Works as
Writer
Titles
8 on MovieCove · 9 credits in all

What are Margret Rey's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 0 · Dark 0

Grounded 3 · Stylized 3 · Heightened 0

Gentle 5 · Charged 1 · Intense 0

Steady 5 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 4 · Funny 2

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 6 · Engaged 0 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Warm
5
Hopeful
3
Triumphant
1
Contemplative
1
Other
1

How their films end

  • Happy7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Margret Rey's films?

As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Margret Rey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

Career shape

A full career of 7 titles, 6 of them dated from 2006 to 2022.

By role

only this rolewith another role
Writing3 of 7: 3 only writing, 0 with another roleOther crew4 of 7: 4 only other crew, 0 with another role

By decade

2000s3 · crew2010s1 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Margret Rey's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 6

Approval · how many liked their films

40thpercentile
Typical film, the median of 6

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 50th to 74th4
  • 25th to 49th4

Reviewers score the dialogue 47/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Margret Rey work with?

People who share at least 2 of Margret Rey's MovieCove titles, grouped by what they did on them; H.A. Rey shares the most, 7.

Directors

Writers

Actors

Composers

Producers