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William Dorfman

William Dorfman

Producer

Works as
Producer
Titles
3 on MovieCove

What are William Dorfman's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
33%
Morality
30%
Bonds
18%
Survival
11%
Ideas
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Warm
1
Bittersweet
1
Melancholic
1
Absurd
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William Dorfman's films?

As of October 24, 2026, none of William Dorfman's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for William Dorfman's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Bookends(2026)

    Producer

    Midcredits score: 83rd percentile of all films (provisional, few ratings)
  • Mysteria(2011)

    Producer

    Midcredits score: 3rd percentile of all films
  • Killer Movie(2008)

    Producer

    Midcredits score: 13th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2008 to 2026.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

By decade

2000s1 · crew2010s1 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do William Dorfman's films land?

Their typical MovieCove film has a Midcredits score in the 13th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 15th percentile for acclaim.

Acclaim · how much people like their films

15thpercentile
Typical film, the median of 3

Approval · how many liked their films

14thpercentile
Typical film, the median of 3

Reach · how many have seen their films

40thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.