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Nathaniel Levisay

Composer

Composer Nathaniel Levisay writes music for film, media, and the concert stage. His work includes Paramount Pictures' The Infernal Machine, starring Academy Award nominee Guy Pearce and Alice Eve, and FOX's Body Language, starring Christina Milian and produced by The Conjuring creators Chad and Carey Hayes. Whether writing for symphonic orchestra, electronics, or intimate chamber ensembles, Levisay approaches every project with the belief that music should reveal what the audience cannot see, deepening the emotional architecture of the story. His film collaborations include scoring projects for director Yoni Rusnak, co-editor of Daredevil: Born Again; actor, director, and producer Michael Dorn; filmmaker, actor, and motion picture finance executive Anthony B. Caldwell of The Walt Disney Company; and Hobby Holmes, co-founder of the music platform and creative agency Mahogany. Earlier experience in music production at Warner Bros., together with the mentorship of Robert Elhai, Michael Kamen, and Shirley Walker, informed his approach to storytelling through music. Beyond film, Levisay has composed concert works, including a Cello Concerto for Andrew Shulman, principal cellist of the Los Angeles Chamber Orchestra, and music for immersive multimedia projects. He maintains that he was 'just a baby' when he arrived in Los Angeles. Witnesses remain divided.

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Biography from IMDb.

Works as
Composer
Titles
9 on MovieCove · 14 credits in all
TMDB popularity, last 155 days to Oct 26Down 23% in 30 days

What are Nathaniel Levisay's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 6

Grounded 6 · Stylized 2 · Heightened 1

A split, not a type: Gentle 2 · Charged 2 · Intense 5

A split, not a type: Steady 4 · Shifting 3 · Whiplash 2

Straight-faced 7 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 7 · Relentless 0

Casual 4 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 5

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nathaniel Levisay's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Nathaniel Levisay's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 9 with a MovieCove page.

  • A Mother-in-Law's Obsession(2025)

    Composer · Sound Designer

    Midcredits score: 54th percentile of all films (provisional, few ratings)
  • Good Sport(2025)

    Composer

    Midcredits score: 98th percentile of all films (provisional, few ratings)
  • Body Language(2024)

    Composer

    Midcredits score: 41st percentile of all films (provisional, few ratings)
  • The Infernal Machine(2022)

    Composer

    Midcredits score: 28th percentile of all films
  • Convergence (not in the MovieCove catalog yet)(2022)

    Composer

  • Level (not in the MovieCove catalog yet)(2017)

    Composer

  • Intruder(2016)

    Composer

    Midcredits score: 2nd percentile of all films
  • Wolf Mother(2016)

    Composer

    Midcredits score: 42nd percentile of all films
  • The Lost Tree(2016)

    Composer

    Midcredits score: 49th percentile of all films
  • Lady of Csejte(2015)

    Composer

    Midcredits score: 10th percentile of all films
  • Feeding Frenzy (not in the MovieCove catalog yet)(2010)

    Composer

  • Fading of the Cries(2008)

    Composer

    Midcredits score: 7th percentile of all films
  • The Recovered (not in the MovieCove catalog yet)(2008)

    Composer

  • Crowing Lakes (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 13 titles, 12 of them dated from 2008 to 2025.

By role

only this rolewith another role
Music12 of 13: 12 only music, 0 with another role · typical Midcredits score28thOther crew1 of 13: 1 only other crew, 0 with another role

By decade

2000s2 · crew2010s6 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nathaniel Levisay's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 14th percentile for acclaim.

Acclaim · how much people like their films

14thpercentile
Typical film, the median of 9

Approval · how many liked their films

35thpercentile
Typical film, the median of 9

Reach · how many have seen their films

48thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th3

Reviewers score the sound and music 43/100 in their films, across 5 reviewed titles; fans 65, detractors 33. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nathaniel Levisay work with?

People who share at least 2 of Nathaniel Levisay's MovieCove titles, grouped by what they did on them; Brian A. Metcalf shares the most, 2.

Directors

Actors

Editors

Producers