Brian Boyd
- Cinematographer
- 4 on MovieCove
What are Brian Boyd's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 0 · Stylized 2 · Heightened 1
Gentle 3 · Charged 0 · Intense 0
Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Brian Boyd's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, on Disney+ (4).
Subscription and free streaming for Brian Boyd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Win or Lose(2025)
Midcredits score: 87th percentile of all shows
Lou(2017)
Midcredits score: 96th percentile of all films
The Blue Umbrella(2013)
Midcredits score: 93rd percentile of all films
La Luna(2011)
Midcredits score: 97th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2011 to 2025.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Brian Boyd's films land?
Their typical MovieCove film has a Midcredits score in the 96th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 93rd percentile for acclaim.
- 75th and up4
Shape of the crowd
None of their 4 titles divides audiences: 3 are Universally Loved.
- Universally Loved3
- Crowd Pleaser1
Reviewers score the cinematography 86/100 in their films, across 3 reviewed titles; fans 89, detractors 78. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Brian Boyd work with?
People who share at least 2 of Brian Boyd's MovieCove titles, grouped by what they did on them; John Lasseter shares the most, 3.
Cinematographers and editors
- Jason HudakShared titles: Win or Lose (2025), The Blue Umbrella (2013)See all 2 shared titles with Jason Hudak
- Patrick LinShared titles: Win or Lose (2025), The Blue Umbrella (2013)See all 2 shared titles with Patrick Lin
Producers
- John LasseterShared titles: Lou (2017), The Blue Umbrella (2013), La Luna (2011)See all 3 shared titles with John Lasseter
- Pete DocterShared titles: Win or Lose (2025), Lou (2017)See all 2 shared titles with Pete Docter
