Skip to content
MovieCove

Lindsley Parsons Jr.

Producer

Works as
Producer
Titles
21 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 24% in 30 days

What are Lindsley Parsons Jr.'s films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
28%
Morality
25%
Society
17%
Ideas
12%
Survival
10%
Self
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 0 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 1 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 0 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
2
Warm
2
Joyful
2
Thrilling
1
Melancholic
1
Other
1

How their films linger

Feel-good3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lindsley Parsons Jr.'s films?

As of October 24, 2026, 10 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Lindsley Parsons Jr.'s titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 21 with a MovieCove page.

  • Sneakers(1992)

    Executive Producer · Production Manager

    Midcredits score: 86th percentile of all films

  • Shout(1991)

    Executive Producer

    Midcredits score: 27th percentile of all films

  • Child's Play 2(1990)

    Production Supervisor

    Midcredits score: 47th percentile of all films

  • The Wizard(1989)

    Executive Producer

    Midcredits score: 46th percentile of all films

  • Spooner (not in the MovieCove catalog yet)(1989)

    Associate Producer

  • Star Trek: The Motion Picture(1979)

    Executive In Charge Of Production

    Midcredits score: 58th percentile of all films

  • Prophecy(1979)

    Production Manager

    Midcredits score: 26th percentile of all films

  • Grease(1978)

    Executive Producer

    Midcredits score: 88th percentile of all films

  • Pretty Baby(1978)

    Production Manager

    Midcredits score: 54th percentile of all films

  • Looking for Mr. Goodbar(1977)

    Production Manager

    Midcredits score: 71st percentile of all films

  • Sorcerer(1977)

    Production Manager

    Midcredits score: 97th percentile of all films

  • Hustle(1975)

    Executive In Charge Of Production

    Midcredits score: 51st percentile of all films

  • Heaven with a Gun(1969)

    Assistant Production Manager

    Midcredits score: 49th percentile of all films

  • The Extraordinary Seaman (not in the MovieCove catalog yet)(1969)

    Assistant Production Manager

  • The Split(1968)

    Assistant Production Manager

    Midcredits score: 44th percentile of all films

  • Live a Little, Love a Little(1968)

    Unit Production Manager

    Midcredits score: 40th percentile of all films

  • How the Grinch Stole Christmas!(1966)

    Assistant Production Manager

    Midcredits score: 98th percentile of all films

  • A Patch of Blue(1965)

    Production Manager

    Midcredits score: 97th percentile of all films

  • Once a Thief(1965)

    Assistant Production Manager

    Midcredits score: 66th percentile of all films

  • A Child Is Waiting(1963)

    Assistant Director

    Midcredits score: 83rd percentile of all films

  • Married Too Young(1962)

    Assistant Director

    Midcredits score: 13th percentile of all films

  • Three Blondes In His Life (not in the MovieCove catalog yet)(1961)

    Assistant Director

  • The Phantom Planet(1961)

    Second Assistant Director

    Midcredits score: 3rd percentile of all films

  • The Purple Gang (not in the MovieCove catalog yet)(1959)

    Associate Producer

  • The Twilight Zone(1959)

    Show 1 episode · Assistant Director

    Midcredits score: 97th percentile of all shows

  • Wolf Larsen (not in the MovieCove catalog yet)(1958)

    Assistant Director

  • Dino (not in the MovieCove catalog yet)(1957)

    Second Assistant Director

  • Spook Chasers (not in the MovieCove catalog yet)(1957)

    Second Assistant Director

  • Strange Intruder (not in the MovieCove catalog yet)(1956)

    Second Assistant Director

Career shape

A full career of 29 titles from 1956 to 1992.

Biggest box office

Sneakers (1992)

$105M worldwide

Highest rated

Sneakers (1992)

Midcredits 86th

By role

only this rolewith another role
Producing6 of 29: 5 only producing, 1 with another roleOther crew24 of 29: 23 only other crew, 1 with another role · typical Midcredits score56th

By decade

1950s6 · crew1960s11 · crew1970s7 · crew1980s2 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lindsley Parsons Jr.'s films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 20; across a limited sample of 3 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 3

Approval · how many liked their films

48thpercentile
Typical film, the median of 3

Reach · how many have seen their films

90thpercentile
Typical film, the median of 3

Midcredits score across 21 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th7
  • Below 25th2

Shape of the crowd

10 of their 21 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Crowd Pleaser10
  • Broadly Agreed2
  • Mixed5

Most divisive · producer

Shout (1991)

57th percentile spread · 32% rated it 4 or lower

Most loved · producer

Grease (1978)

Midcredits 88th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.