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Natasha Braier

Natasha Braier

Cinematographer · Born December 11, 1974 (51) · Buenos Aires, Argentina

Independent Spirit Award nominee

Cinematographer Natasha Braier was born December 11th, 1974 in Buenos Aires, Argentina, where both her parents practiced psychiatry and where she did her first studies including, as a child, dancing.Her family moved to Europe when she was 18, and where she lived in both Spain and England.She completed her degree at that time at the National Film and Television School in London ,and later moved once again, this time to Los Angeles, California, where she has been active in the industry.

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Biography from IMDb.

Born
December 11, 1974 (51)
From
Buenos Aires, Argentina
Works as
Cinematographer
Titles
14 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 19% in 30 days

What are Natasha Braier's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 56th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
35%
Bonds
23%
Survival
18%
Power
12%
Society
8%
Morality
4%
Identity4 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 2 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 3 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 2 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 3 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 4 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 1 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
4
Absurd
4
Contemplative
3
Dread
3
Other
9

How their films linger

Hopeful5 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet4
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Natasha Braier's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Natasha Braier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • I Love Boosters(2026)

    Cinematographer

    Midcredits score: 72nd percentile of all films

  • Norbert(2024)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • She Said(2022)

    Cinematographer

    Midcredits score: 88th percentile of all films

  • American Gigolo(2022)

    Show 1 episode · Director · Cinematographer

    Midcredits score: 46th percentile of all shows

  • Nichols Canyon Road (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • #WombStories (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • Honey Boy(2019)

    Cinematographer

    Midcredits score: 87th percentile of all films

  • Gloria Bell(2018)

    Cinematographer

    Midcredits score: 56th percentile of all films

  • Gringo(2018)

    Additional Director of Photography

    Midcredits score: 39th percentile of all films

  • The Neon Demon(2016)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • A Rose Reborn (not in the MovieCove catalog yet)(2014)

    Cinematographer

  • The Rover(2014)

    Cinematographer

    Midcredits score: 60th percentile of all films

  • Chinese Puzzle(2013)

    Cinematographer

    Midcredits score: 78th percentile of all films

  • Swimmer (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Loxoro (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • The Infidel(2010)

    Cinematographer

    Midcredits score: 54th percentile of all films

  • The Milk of Sorrow(2009)

    Cinematographer

    Midcredits score: 73rd percentile of all films

  • Somers Town (not in the MovieCove catalog yet)(2008)

    Cinematographer

  • In the City of Sylvia(2007)

    Cinematographer

    Midcredits score: 75th percentile of all films

  • XXY(2007)

    Cinematographer

    Midcredits score: 80th percentile of all films

  • Glue (not in the MovieCove catalog yet)(2006)

    Cinematographer

  • One Minute Past Midnight (not in the MovieCove catalog yet)(2004)

    Cinematographer

  • 77 Beds (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • Meteoritos (not in the MovieCove catalog yet)(1997)

    Director

Career shape

A full career of 23 titles from 1997 to 2026.

Biggest box office

Chinese Puzzle (2013)

$17M worldwide

Highest rated

Honey Boy (2019)

Midcredits 87th

Most popular right now

I Love Boosters (2026)

By role

only this rolewith another role
Directing2 of 23: 1 only directing, 1 with another roleCinematography22 of 23: 21 only cinematography, 1 with another role · typical Midcredits score72nd

By decade

1990s1 · crew2000s7 · crew2010s10 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Independent Spirit Award in 2020, Best Cinematography.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Natasha Braier's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 11

Approval · how many liked their films

68thpercentile
Typical film, the median of 11

Reach · how many have seen their films

89thpercentile
Typical film, the median of 11

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th2

Shape of the crowd

8 of their 14 titles are Crowd Pleasers.

  • Crowd Pleaser8
  • Broadly Agreed2
  • Mixed4

Most divisive · cinematographer

I Love Boosters (2026)

68th percentile spread · 17% rated it 4 or lower

Most loved · cinematographer

She Said (2022)

Midcredits 88th · 79% liked

Reviewers score the cinematography 77/100 in their films, across 9 reviewed titles; fans 83, detractors 55. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Natasha Braier's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles37–86 · median 52 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles33–73 · median 58 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles60–88 · median 85 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles40–66 · median 52 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles31–81 · median 67 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Natasha Braier work with?

People who share at least 2 of Natasha Braier's MovieCove titles, grouped by what they did on them; Alison Cohen shares the most, 2.

Producers