
Enrico Casarosa (born 20 November 1971) is an Italian director, screenwriter, and storyboard artist. Best known for his work at Pixar, he has directed the short film La Luna (2011) and the feature film Luca (2021), both of which were nominated for Academy Awards. Description above from the Wikipedia article Enrico Casarosa, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- November 20, 1971 (54)
- Genova, Italy
- Writer, director and producer
- 9 on MovieCove · 11 credits in all
Known for
What are Enrico Casarosa's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 3 · Charged 0 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Enrico Casarosa's films?
As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Disney+ (9).
Subscription and free streaming for Enrico Casarosa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 9 with a MovieCove page.

Gatto (not in the MovieCove catalog yet)(2027)

Buon compleanno Massimo (not in the MovieCove catalog yet)(2023)

Ciao Alberto(2021)
Midcredits score: 83rd percentile of all films
Luca(2021)
Midcredits score: 94th percentile of all films
Coco(2017)
Midcredits score: 99th percentile of all films
Piper(2016)
Midcredits score: 99th percentile of all films
La Luna(2011)
Midcredits score: 97th percentile of all films
Up(2009)
Midcredits score: 99th percentile of all films
Ratatouille(2007)
Midcredits score: 99th percentile of all films
Cars(2006)
Midcredits score: 92nd percentile of all films
Ice Age(2002)
Midcredits score: 93rd percentile of all films
Career shape
A full career of 11 titles, 10 of them dated from 2002 to 2023.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
3 major nominations and no wins, 2012–2022.
- Oscar, nominated · Best Animated Feature Film
- BAFTA Award, nominated · Best Animated Feature Film
- Oscar, nominated · Best Short Film, Animated
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Enrico Casarosa's films land?
Their typical MovieCove film has a Midcredits score in the 97th percentile, the median of all 9; across a limited sample of 3 films with reception data, the typical film sits in the 92nd percentile for acclaim.
- 75th and up9
Shape of the crowd
None of their 9 titles divides audiences: 7 are Universally Loved.
- Universally Loved7
- Crowd Pleaser2
Reviewers score the dialogue 53/100 and the plot and story 53/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Enrico Casarosa work with?
People who share at least 2 of Enrico Casarosa's MovieCove titles, grouped by what they did on them; Jack Dylan Grazer shares the most, 2.
Actors
- Jack Dylan GrazerShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Jack Dylan Grazer

- Jacob TremblayShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Jacob Tremblay

- Marco BarricelliShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Marco Barricelli

Composers
- Dan RomerShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Dan Romer

Producers
- Kiri HartShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Kiri Hart

- Pete DocterShared titles: Ciao Alberto (2021), Luca (2021)See all 2 shared titles with Pete Docter
