- Producer
- 12 on MovieCove · 20 credits in all
What are Marco Morabito's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
A split, not a type: Light 2 · Serious 2 · Dark 5
Grounded 3 · Stylized 3 · Heightened 3
A split, not a type: Gentle 2 · Charged 2 · Intense 5
Steady 3 · Shifting 6 · Whiplash 0
Straight-faced 8 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 2
Casual 1 · Engaged 5 · Full focus 3
Easy watch 2 · Affecting 4 · Heavy 3
A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet7
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marco Morabito's films?
As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Marco Morabito's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 12 with a MovieCove page.
Ketticè(2026)
Midcredits score: 29th percentile of all films
Midcredits score: 60th percentile of all films (provisional, few ratings)
Diciannove(2024)
Midcredits score: 46th percentile of all films
The King Who Never Was(2023)
Midcredits score: 26th percentile of all shows
Last Night of Amore(2023)
Midcredits score: 87th percentile of all films
Bones and All(2022)
Midcredits score: 77th percentile of all films
Beckett(2021)
Midcredits score: 28th percentile of all films
We Are Who We Are(2020)
Midcredits score: 65th percentile of all shows
The Staggering Girl (not in the MovieCove catalog yet)(2019)
Suspiria(2018)
Midcredits score: 74th percentile of all films
Call Me by Your Name(2017)
Midcredits score: 96th percentile of all films
A Bigger Splash(2015)
Midcredits score: 61st percentile of all films
Antonia (not in the MovieCove catalog yet)(2015)
The Landlords (not in the MovieCove catalog yet)(2012)
Diarchy (not in the MovieCove catalog yet)(2010)
I Am Love(2009)
Midcredits score: 82nd percentile of all films
Cuoco Contadino (not in the MovieCove catalog yet)(2004)
The Producer (not in the MovieCove catalog yet)(2004)
The Making of Lotus (not in the MovieCove catalog yet)(2003)
Skinheads (not in the MovieCove catalog yet)(1993)
Career shape
A full career of 20 titles, 19 of them dated from 1993 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
6 major nominations and no wins, 2011–2023.
- Independent Spirit Award, nominated · Best Feature
- Oscar, nominated · Best Motion Picture of the Year
- BAFTA Award, nominated · Best Film
+2 other major bodies · 2 nominations
- Producers Guild Award, nominated · Outstanding Producer of Theatrical Motion Pictures
- Independent Spirit Award, nominated · Best Feature
- BAFTA Award, nominated · Best Film not in the English Language
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Marco Morabito's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up4
- 50th to 74th4
- 25th to 49th4
Shape of the crowd
6 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marco Morabito's work okay for kids?
Across up to 7 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Marco Morabito work with?
People who share at least 2 of Marco Morabito's MovieCove titles, grouped by what they did on them; Francesco Melzi d'Eril shares the most, 9.
Directors
- Luca GuadagninoShared titles: Diciannove (2024), Bones and All (2022), Beckett (2021), We Are Who We Are (2020), Suspiria (2018), Call Me by Your Name (2017), A Bigger Splash (2015), I Am Love (2009)See all 8 shared titles with Luca Guadagnino
Writers
- David KajganichShared titles: Bones and All (2022), Suspiria (2018), A Bigger Splash (2015)See all 3 shared titles with David Kajganich
- Walter FasanoShared titles: Nino: Un film su Nino Rota (2026), Beckett (2021), Suspiria (2018), Call Me by Your Name (2017), A Bigger Splash (2015), I Am Love (2009)See all 6 shared titles with Walter Fasano
Actors
- Tilda SwintonShared titles: Suspiria (2018), A Bigger Splash (2015), I Am Love (2009)See all 3 shared titles with Tilda Swinton
- Chloë SevignyShared titles: Bones and All (2022), We Are Who We Are (2020)See all 2 shared titles with Chloë Sevigny
- Michael StuhlbargShared titles: Bones and All (2022), Call Me by Your Name (2017)See all 2 shared titles with Michael Stuhlbarg
- Timothée ChalametShared titles: Bones and All (2022), Call Me by Your Name (2017)See all 2 shared titles with Timothée Chalamet
Cinematographers and editors
- Marco CostaShared titles: Diciannove (2024), Bones and All (2022), We Are Who We Are (2020)See all 3 shared titles with Marco Costa
- Sayombhu MukdeepromShared titles: Beckett (2021), Suspiria (2018), Call Me by Your Name (2017)See all 3 shared titles with Sayombhu Mukdeeprom
- Yorick Le SauxShared titles: We Are Who We Are (2020), A Bigger Splash (2015), I Am Love (2009)See all 3 shared titles with Yorick Le Saux
- Clarissa CappellaniShared titles: Nino: Un film su Nino Rota (2026), The King Who Never Was (2023)See all 2 shared titles with Clarissa Cappellani
Producers
- Francesco Melzi d'ErilShared titles: Diciannove (2024), Last Night of Amore (2023), The King Who Never Was (2023), Bones and All (2022), Beckett (2021), We Are Who We Are (2020), Suspiria (2018), Call Me by Your Name (2017), I Am Love (2009)See all 9 shared titles with Francesco Melzi d'Eril
- Marco ColomboShared titles: Nino: Un film su Nino Rota (2026), Last Night of Amore (2023), Bones and All (2022), Beckett (2021)See all 4 shared titles with Marco Colombo
- Gabriele Bebe MorattiShared titles: Last Night of Amore (2023), Bones and All (2022), Beckett (2021), Suspiria (2018)See all 4 shared titles with Gabriele Bebe Moratti
- Moreno ZaniShared titles: Diciannove (2024), Bones and All (2022)See all 2 shared titles with Moreno Zani