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What are Michael Dreher's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 6

Grounded 8 · Stylized 2 · Heightened 0

A split, not a type: Gentle 2 · Charged 3 · Intense 5

Steady 4 · Shifting 5 · Whiplash 1

Straight-faced 7 · Some laughs 2 · Funny 1

Slow burn 3 · Even-paced 6 · Relentless 1

A split, not a type: Casual 4 · Engaged 3 · Full focus 3

A split, not a type: Easy watch 1 · Affecting 4 · Heavy 5

Resolved 4 · Open-ended 6 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Dreher's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Michael Dreher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • Atomic(2025)

    Show Producer

    Midcredits score: 16th percentile of all shows
  • The Forgiven(2021)

    Producer

    Midcredits score: 43rd percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Mosul(2019)

    Producer

    Midcredits score: 86th percentile of all films
  • Roads(2019)

    Producer

    Midcredits score: 62nd percentile of all films
  • Midcredits score: 48th percentile of all films
  • Beirut(2018)

    Producer

    Midcredits score: 61st percentile of all films
  • Midcredits score: 76th percentile of all films
  • The Yellow Birds(2017)

    Producer

    Midcredits score: 39th percentile of all films
  • Midcredits score: 39th percentile of all films
  • Army of One(2016)

    Producer

    Midcredits score: 19th percentile of all films
  • The Red Tent(2014)

    Show Producer

    Midcredits score: 56th percentile of all shows

Career shape

Across their 12 MovieCove titles from 2014 to 2025.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score52nd

By decade

2010s9 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Michael Dreher's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 10

Approval · how many liked their films

53rdpercentile
Typical film, the median of 10

Reach · how many have seen their films

89thpercentile
Typical film, the median of 10

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

None of their 12 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael Dreher's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles36–85 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles14–53 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles43–81 · median 65 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles36–75 · median 56 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense7 titles24–74 · median 52 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Michael Dreher work with?

People who share at least 2 of Michael Dreher's MovieCove titles, grouped by what they did on them; Karim Debbagh shares the most, 12.

Producers