Agnès Mentre
- Producer
- 16 on MovieCove
What are Agnès Mentre's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 4 · Serious 1 · Dark 7
Grounded 6 · Stylized 6 · Heightened 0
A split, not a type: Gentle 4 · Charged 2 · Intense 6
Steady 4 · Shifting 5 · Whiplash 3
Straight-faced 7 · Some laughs 3 · Funny 2
Slow burn 7 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 6 · Full focus 3
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 7
A split, not a type: Resolved 6 · Open-ended 5 · Ambiguous 1
Moods and endings
- Bittersweet7
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Agnès Mentre's films?
As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Agnès Mentre's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 16 with a MovieCove page.
The Great Experiment(2026)
Midcredits score: 86th percentile of all films (provisional, few ratings)
Midcredits score: 92nd percentile of all films
Greek Salad(2023)
Midcredits score: 62nd percentile of all shows
Wind River(2017)
Midcredits score: 97th percentile of all films
Kiki, Love to Love(2016)
Midcredits score: 58th percentile of all films
Martyrs(2015)
Midcredits score: 3rd percentile of all films
The Immigrant(2013)
Midcredits score: 68th percentile of all films
Lay the Favorite(2012)
Midcredits score: 8th percentile of all films
Silent House(2011)
Midcredits score: 20th percentile of all films
The Next Three Days(2010)
Midcredits score: 86th percentile of all films
The Extra Man(2010)
Midcredits score: 32nd percentile of all films
The Wrestler(2008)
Midcredits score: 98th percentile of all films
Two Lovers(2008)
Midcredits score: 82nd percentile of all films
Midcredits score: 55th percentile of all films
Heaven(2002)
Midcredits score: 77th percentile of all films
Life Is Beautiful(1997)
Midcredits score: 99th percentile of all films
Career shape
A full career of 14 titles from 2002 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Agnès Mentre's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up8
- 50th to 74th4
- 25th to 49th1
- Below 25th3
Shape of the crowd
7 of their 16 titles are Crowd Pleasers.
- Universally Loved3
- Divisive1
- Crowd Pleaser7
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Agnès Mentre's work okay for kids?
Across up to 9 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Agnès Mentre work with?
People who share at least 2 of Agnès Mentre's MovieCove titles, grouped by what they did on them; Vincent Maraval shares the most, 5.
Directors
- James GrayShared titles: The Immigrant (2013), Two Lovers (2008)See all 2 shared titles with James Gray
Writers
- Ric MenelloShared titles: The Immigrant (2013), Two Lovers (2008)See all 2 shared titles with Ric Menello
Actors
- Elizabeth OlsenShared titles: Wind River (2017), Silent House (2011)See all 2 shared titles with Elizabeth Olsen
- Jeremy RennerShared titles: Wind River (2017), The Immigrant (2013)See all 2 shared titles with Jeremy Renner
- Joaquin PhoenixShared titles: The Immigrant (2013), Two Lovers (2008)See all 2 shared titles with Joaquin Phoenix
Editors
- John AxelradShared titles: The Immigrant (2013), Two Lovers (2008)See all 2 shared titles with John Axelrad
Producers
- Vincent MaravalShared titles: Wind River (2017), The Immigrant (2013), Lay the Favorite (2012), The Extra Man (2010), Where in the World Is Osama Bin Laden? (2008)See all 5 shared titles with Vincent Maraval
- Brahim ChiouaShared titles: Wind River (2017), The Immigrant (2013)See all 2 shared titles with Brahim Chioua
- Harvey WeinsteinShared titles: Wind River (2017), Heaven (2002)See all 2 shared titles with Harvey Weinstein
- Anthony KatagasShared titles: The Immigrant (2013), Two Lovers (2008)See all 2 shared titles with Anthony Katagas
