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Lloyd Taylor

Lloyd Taylor

Writer · Born March 14, 1977 (49) · East Syracuse, New York, USA

Lloyd Taylor was born in New York, New York, USA. Lloyd is a writer, known for Nimona (2023), Spies in Disguise (2019) and Orion and the Dark (2024).

Biography from IMDb.

Born
March 14, 1977 (49)
From
East Syracuse, New York, USA
Works as
Writer
Titles
5 on MovieCove · 7 credits in all
TMDB popularity, last 155 days to Oct 26Down 53% in 30 days

What are Lloyd Taylor's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

Grounded 0 · Stylized 3 · Heightened 2

Gentle 2 · Charged 3 · Intense 0

A split, not a type: Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 0 · Some laughs 2 · Funny 3

Slow burn 0 · Even-paced 4 · Relentless 1

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Thrilling
3
Hopeful
2
Melancholic
2
Contemplative
1
Other
2

How their films end

  • Happy5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lloyd Taylor's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Lloyd Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • Orion and the Dark(2024)

    Additional Writing · Writer

    Midcredits score: 57th percentile of all films
  • Nimona(2023)

    Screenplay · Story

    Midcredits score: 95th percentile of all films
  • Midcredits score: 56th percentile of all films
  • Drawn Closer (not in the MovieCove catalog yet)(2021)

    Writer

  • Spies in Disguise(2019)

    Screenplay

    Midcredits score: 73rd percentile of all films
  • The Wild(2006)

    Additional Writing · Writer

    Midcredits score: 16th percentile of all films
  • Chickboxer (not in the MovieCove catalog yet)(1992)

    Screenplay

Career shape

A full career of 6 titles from 1992 to 2024.

By role

only this rolewith another role
Writing4 of 6: 4 only writing, 0 with another roleOther crew2 of 6: 2 only other crew, 0 with another role

By decade

1990s1 · crew2000s1 · crew2010s1 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Lloyd Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 5

Approval · how many liked their films

51stpercentile
Typical film, the median of 5

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • Below 25th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Mixed1

Reviewers score the dialogue 55/100 and the plot and story 39/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lloyd Taylor's work okay for kids?

Across up to 5 MovieCove titles with content scores, profanity and alcohol & drugs run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles16–41 · median 36 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity5 titles17–33 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles23–30 · median 25 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs5 titles9–21 · median 12 · minimallighter than most filmsMedian of all films: 33
Frightening / Intense5 titles31–47 · median 34 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lloyd Taylor work with?

People who share at least 2 of Lloyd Taylor's MovieCove titles, grouped by what they did on them; Nick Bruno shares the most, 2.

Directors

Composers and editors

Mixed roles