- Editor, also writer
- 19 on MovieCove · 22 credits in all
What are Marc Vives' films like?
Across their 17 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 15
Light 3 · Serious 6 · Dark 6
Grounded 11 · Stylized 4 · Heightened 0
A split, not a type: Gentle 4 · Charged 5 · Intense 6
Steady 7 · Shifting 7 · Whiplash 1
Straight-faced 10 · Some laughs 5 · Funny 0
Slow burn 11 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 12 · Full focus 2
Easy watch 3 · Affecting 7 · Heavy 5
Resolved 2 · Open-ended 9 · Ambiguous 4
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
- Ambiguous9
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marc Vives' films?
As of October 24, 2026, 17 of their 19 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Marc Vives' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 19 with a MovieCove page.
A Century of Flight (not in the MovieCove catalog yet)(2025)
House of Spoils(2024)
Midcredits score: 16th percentile of all films
How to Rob a Bank(2024)
Midcredits score: 73rd percentile of all films
Encounters(2023)
Midcredits score: 24th percentile of all shows
Midcredits score: 45th percentile of all shows
The Swamp(2020)
Midcredits score: 67th percentile of all films
The Innocence Files(2020)
Midcredits score: 86th percentile of all shows
Blow the Man Down(2019)
Midcredits score: 57th percentile of all films
The Kindergarten Teacher(2018)
Midcredits score: 74th percentile of all films
Aardvark(2017)
Midcredits score: 9th percentile of all films
Sollers Point(2017)
Midcredits score: 41st percentile of all films
Little Boxes(2016)
Midcredits score: 36th percentile of all films
Approaching the Unknown(2016)
Midcredits score: 9th percentile of all films
The Adderall Diaries(2015)
Midcredits score: 13th percentile of all films
Ping Pong Summer(2014)
Midcredits score: 27th percentile of all films
Desert Cathedral (not in the MovieCove catalog yet)(2014)
I Used to Be Darker(2013)
Midcredits score: 36th percentile of all films
Museum Hours(2012)
Midcredits score: 81st percentile of all films
Septien(2011)
Midcredits score: 47th percentile of all films
Walk Away Renee(2011)
Midcredits score: 60th percentile of all films
Putty Hill (not in the MovieCove catalog yet)(2010)
Murder Party(2007)
Midcredits score: 40th percentile of all films
Career shape
A full career of 18 titles from 2007 to 2025.
Biggest box office
The Kindergarten Teacher (2018)
Highest rated
Museum Hours (2012)
Most popular right now
House of Spoils (2024)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for an Independent Spirit Award in 2014, Best Editing.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Marc Vives' films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th7
- Below 25th5
Shape of the crowd
11 of their 19 titles are Mixed.
- Crowd Pleaser6
- Broadly Agreed2
- Mixed11
Reviewers score the pacing 38/100 in their films, across 15 reviewed titles; fans 53, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marc Vives' work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Marc Vives work with?
People who share at least 2 of Marc Vives' MovieCove titles, grouped by what they did on them; Ryan Zacarias shares the most, 4.
Directors
- Bridget Savage ColeShared titles: House of Spoils (2024), Blow the Man Down (2019)See all 2 shared titles with Bridget Savage Cole
- Danielle KrudyShared titles: House of Spoils (2024), Blow the Man Down (2019)See all 2 shared titles with Danielle Krudy
- Daniel DiMauroShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Daniel DiMauro
- Morgan PehmeShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Morgan Pehme
Writers
- Amy BelkShared titles: Sollers Point (2017), I Used to Be Darker (2013)See all 2 shared titles with Amy Belk
Actors
- Marin IrelandShared titles: Aardvark (2017), Sollers Point (2017)See all 2 shared titles with Marin Ireland
- Robert LongstreetShared titles: Ping Pong Summer (2014), Septien (2011)See all 2 shared titles with Robert Longstreet
Composers and cinematographers
- Eric LinShared titles: House of Spoils (2024), Aardvark (2017)See all 2 shared titles with Eric Lin
- Kyle Scott WilsonShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Kyle Scott Wilson
- Stefan WiesenShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Stefan Wiesen
- Michael MontesShared titles: Ping Pong Summer (2014), Septien (2011)See all 2 shared titles with Michael Montes
Producers
- Ryan ZacariasShared titles: Sollers Point (2017), Ping Pong Summer (2014), I Used to Be Darker (2013), Septien (2011)See all 4 shared titles with Ryan Zacarias
- Drew HouptShared titles: House of Spoils (2024), Blow the Man Down (2019), Approaching the Unknown (2016)See all 3 shared titles with Drew Houpt
- Walter S. HallShared titles: Sollers Point (2017), Ping Pong Summer (2014), I Used to Be Darker (2013)See all 3 shared titles with Walter S. Hall
- Brooke BernardShared titles: Ping Pong Summer (2014), I Used to Be Darker (2013), Septien (2011)See all 3 shared titles with Brooke Bernard