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MovieCove

Charles Moore

Producer

Works as
Producer
Titles
9 on MovieCove

What are Charles Moore's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 4

Grounded 7 · Stylized 1 · Heightened 1

Gentle 3 · Charged 3 · Intense 3

Steady 4 · Shifting 4 · Whiplash 1

Straight-faced 3 · Some laughs 5 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 5 · Relentless 0

A split, not a type: Casual 5 · Engaged 3 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 5

A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Moore's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charles Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Rye Lane(2023)

    Producer

    Midcredits score: 90th percentile of all films
  • The Canterville Ghost(2023)

    Producer

    Midcredits score: 49th percentile of all films
  • Allelujah(2022)

    Producer

    Midcredits score: 38th percentile of all films
  • Blue Story(2019)

    Producer

    Midcredits score: 65th percentile of all films
  • Gwen(2018)

    Producer

    Midcredits score: 55th percentile of all films
  • The Lady in the Van(2015)

    Producer

    Midcredits score: 70th percentile of all films
  • The Eagle(2011)

    Producer

    Midcredits score: 47th percentile of all films
  • The History Boys(2006)

    Producer

    Midcredits score: 74th percentile of all films
  • Venus(2006)

    Producer

    Midcredits score: 81st percentile of all films

Career shape

Across their 9 MovieCove titles from 2006 to 2023.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score65th

By decade

2000s2 · crew2010s4 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Charles Moore's films land?

Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 9

Approval · how many liked their films

70thpercentile
Typical film, the median of 9

Reach · how many have seen their films

85thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles Moore's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 54 · moderateMedian of all films: 44
Sex & Nudity6 titles13–55 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles40–78 · median 65 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 22 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Charles Moore work with?

People who share at least 2 of Charles Moore's MovieCove titles, grouped by what they did on them; Damian Jones shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers