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Léonard Glowinski

Producer

After an education path in banking, Léonard Glowinski worked at Pathé where he was in charge of international productions. Productions he has worked on include Two Brothers (Jean-Jacques Annaud), Astérix & Obélix: Mission Cléopâtre (Alain Chabat), Alexander The Great (Oliver Stone) and The Diving Bell and the Butterfly (Julian Schnabel). He went on to direct French and European productions with StudioCanal, where he also produced Unknown (Jaume Collet Serra) and Special Forces (Stéphane Rybojad). With a very broad network comprising producers and financiers in France and abroad, he decided to establish, in 2012, a film production and linkage company known as 22h22. Among its many undertakings, 22h22 is currently co-producing two feature films in partnership with China and the United States.

Read more

Biography from IMDb.

Works as
Producer
Titles
18 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 23% in 30 days

What are Léonard Glowinski's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama5 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Drama movies
Action4 titlesTypical Midcredits score: 51st percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 92nd percentile, at or above their average across these genres
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 42nd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
45%
Bonds
17%
Survival
14%
Morality
11%
Society
8%
Power
6%
Identity6 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themePower2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 6 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 11 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 7 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 7 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 8 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
8
Hopeful
8
Contemplative
4
Warm
3
Other
13

How their films linger

Hopeful7 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet5
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Léonard Glowinski's films?

As of October 24, 2026, 11 of their 18 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Léonard Glowinski's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 18 with a MovieCove page.

  • Cristóbal Balenciaga(2024)

    Show 6 episodes · Producer

    Midcredits score: 62nd percentile of all shows

  • Drops of God(2023)

    Show 16 episodes · Executive Producer

    Midcredits score: 90th percentile of all shows

  • En plein feu(2022)

    Producer

    Midcredits score: 19th percentile of all films

  • Final Set(2020)

    Producer

    Midcredits score: 58th percentile of all films

  • Around the World in 80 Days(2021)

    Producer

    Midcredits score: 15th percentile of all films

  • Terrible Jungle (not in the MovieCove catalog yet)(2020)

    Producer

  • Get In (not in the MovieCove catalog yet)(2019)

    Producer

  • The Professor and the Madman(2019)

    Producer

    Midcredits score: 85th percentile of all films

  • 7 jours pas plus(2017)

    Producer

    Midcredits score: 44th percentile of all films

  • I.T.(2016)

    Co-Producer

    Midcredits score: 18th percentile of all films

  • Anthropoid(2016)

    Executive Producer

    Midcredits score: 88th percentile of all films

  • A Hologram for the King(2016)

    Producer

    Midcredits score: 39th percentile of all films

  • Outcast(2014)

    Producer

    Midcredits score: 8th percentile of all films

  • Unknown(2011)

    Co-Producer

    Midcredits score: 71st percentile of all films

  • Eden Is West(2009)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Diving Bell and the Butterfly(2007)

    Associate Producer

    Midcredits score: 98th percentile of all films

  • Whatever Lola Wants(2007)

    Producer

    Midcredits score: 62nd percentile of all films

  • Alexander(2004)

    Associate Producer

    Midcredits score: 30th percentile of all films

  • She Hate Me(2004)

    Executive In Charge Of Production · Executive Producer

    Midcredits score: 24th percentile of all films

  • The Chorus(2004)

    Producer

    Midcredits score: 97th percentile of all films

Career shape

A full career of 14 titles from 2004 to 2024.

Biggest box office

Alexander (2004)

$167M worldwide

Highest rated

The Diving Bell and the Butterfly (2007)

Midcredits 98th

Most popular right now

Unknown (2011)

By role

only this rolewith another role
Producing14 of 14: 13 only producing, 1 with another role · typical Midcredits score51stOther crew1 of 14: 0 only other crew, 1 with another role

By decade

2000s3 · crew2010s6 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Léonard Glowinski's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 15

Approval · how many liked their films

55thpercentile
Typical film, the median of 15

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 15

Midcredits score across 18 titles, by percentile

  • 75th and up5
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th5

Shape of the crowd

6 of their 18 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser6
  • Broadly Agreed4
  • Mixed5

Most divisive · producer

Cristóbal Balenciaga (2024)

67th percentile spread · 18% rated it 4 or lower

Most loved · producer

The Diving Bell and the Butterfly (2007)

Midcredits 98th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Léonard Glowinski's work okay for kids?

Across up to 9 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles21–89 · median 69 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity9 titles12–61 · median 33 · mildnear the median of all filmsMedian of all films: 32
Profanity9 titles22–56 · median 41 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs8 titles21–46 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles14–70 · median 54 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Léonard Glowinski work with?

People who share at least 2 of Léonard Glowinski's MovieCove titles, grouped by what they did on them; Vincent Mathias shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers