- Writer and producer
- 5 on MovieCove
What are Hilary Hinkle's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 5 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 1 · Heightened 2
Gentle 3 · Charged 2 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 4 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hilary Hinkle's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Hilary Hinkle's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Barbie in the Nutcracker(2001)
Midcredits score: 69th percentile of all films
Story of a Bad Boy(1999)
Midcredits score: 18th percentile of all films
The Christmas Elves(1995)
Midcredits score: 60th percentile of all films
Backfield in Motion(1991)
Midcredits score: 23rd percentile of all films
Midcredits score: 80th percentile of all films
Career shape
Across their 5 MovieCove titles from 1990 to 2001.
How do Hilary Hinkle's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- Below 25th2
Shape of the crowd
3 of their 5 titles are Mixed.
- Crowd Pleaser2
- Mixed3
Reviewers score the dialogue 52/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hilary Hinkle work with?
People who share at least 2 of Hilary Hinkle's MovieCove titles; Linda Engelsiepen shares the most, 3.
- Linda EngelsiepenShared titles: Barbie in the Nutcracker (2001), The Christmas Elves (1995), Mother Goose Rock 'n' Rhyme (1990)See all 3 shared titles with Linda Engelsiepen
- Shelley DuvallShared titles: Backfield in Motion (1991), Mother Goose Rock 'n' Rhyme (1990)See all 2 shared titles with Shelley Duvall
