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Jonathan A. Zimbert

Producer

Works as
Producer
Titles
11 on MovieCove
TMDB popularity, last 37 days to Oct 26Down 7% in 30 days

What are Jonathan A. Zimbert's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 4 · Dark 2

A split, not a type: Grounded 8 · Stylized 2 · Heightened 1

Gentle 2 · Charged 6 · Intense 3

Steady 4 · Shifting 7 · Whiplash 0

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 3

Slow burn 1 · Even-paced 8 · Relentless 2

A split, not a type: Casual 5 · Engaged 4 · Full focus 2

Resolved 9 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan A. Zimbert's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jonathan A. Zimbert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Juwanna Mann(2002)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • American Outlaws(2001)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • The in Crowd(2000)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Chill Factor(1999)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Narrow Margin(1990)

    Producer

    Midcredits score: 64th percentile of all films
  • The Presidio(1988)

    Executive Producer

    Midcredits score: 34th percentile of all films
  • The Monster Squad(1987)

    Producer

    Midcredits score: 77th percentile of all films
  • Running Scared(1986)

    Associate Producer

    Midcredits score: 59th percentile of all films
  • Kidco(1984)

    Associate Producer

    Midcredits score: 49th percentile of all films
  • Midcredits score: 70th percentile of all films
  • The Star Chamber(1983)

    Associate Producer

    Midcredits score: 53rd percentile of all films

Career shape

A full career of 10 titles from 1983 to 2002.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score43rd

By decade

1980s5 · crew1990s2 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jonathan A. Zimbert's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 11

Approval · how many liked their films

48thpercentile
Typical film, the median of 11

Reach · how many have seen their films

84thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan A. Zimbert's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles28–82 · median 55 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles7–45 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles50–78 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 35 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 41 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jonathan A. Zimbert work with?

People who share at least 2 of Jonathan A. Zimbert's MovieCove titles, grouped by what they did on them; Peter Hyams shares the most, 6.

Directors

Writers

Actors

Composers and editors

Producers