Peter Zenk

What are Peter Zenk's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Zenk's films?

As of October 27, 2026, none of Peter Zenk's 9 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Peter Zenk's titles on MovieCove; rent and buy are not counted.

Filmography

9 credits, 9 with a MovieCove page.

• 

  Wild Chicks and Life(2008)

  Producer

  Midcredits score: 41st percentile of all films41^st
• 

  TKKG und die rätselhafte Mind-Machine(2006)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Wild Chicks in Love(2006)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Wild Chicks(2005)

  Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  Emil und die Detektive(2001)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Charlie & Louise - Das doppelte Lottchen(1994)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Manta Manta(1991)

  Producer

  Midcredits score: 38th percentile of all films38^th
• 

  Feel the Motion(1985)

  Producer

  Midcredits score: 5th percentile of all films5^th
• 

  The Noah's Ark Principle(1984)

  Producer

  Midcredits score: 22nd percentile of all films22^nd

Career shape

Across their 9 MovieCove titles from 1984 to 2008.

Biggest box office

Wild Chicks in Love (2006)

$7.9M worldwide

Highest rated

Wild Chicks (2005)

Midcredits 63^rd

Most popular right now

Manta Manta (1991)

How do Peter Zenk's films land?

Their typical MovieCove film has a Midcredits score in the 41^st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

6 of their 9 titles are Mixed.

6

• Cult Classic1
• Crowd Pleaser1
• Broadly Agreed1
• Mixed6

Most divisive · producer

The Noah's Ark Principle (1984)

75^th percentile spread · 34% rated it 4 or lower

Most loved · producer

Wild Chicks (2005)

Midcredits 63^rd · 48% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Zenk work with?

People who share at least 2 of Peter Zenk's MovieCove titles, grouped by what they did on them; Uschi Reich shares the most, 5.