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Alex Wurman

Alex Wurman

Composer · Born October 5, 1966 (60) · Chicago, Illinois, USA

Primetime Emmy winner

Emmy Award-winning composer Alex Wurman is highly versatile with a broad musical palette. He can traverse the film-score landscape by writing a critically-acclaimed score for an Oscar®-winning film, to supporting comedy with musical punctuation for box office giants, to capturing the essence of brainy ideas for indie films. Some examples include: the eerie piano melodies of Confessions of a Dangerous Mind (2002), minimalist/20th century sculpted sounds for Temple Grandin (2010), groovy '70's themes for Anchorman: The Legend of Ron Burgundy (2004), contemporary interpretations of French impressionism for 13 Conversations About One Thing (2001), and soulful melodies combined with ethereal orchestrations for March of the Penguins (2005). When asked to score another wildlife documentary, The Last Lions (2011) for Dereck Joubert and Beverly Joubert, Wurman wrote a score that won him his second award for "best music" at the world's leading natural history film forum: The Jackson Hole Wildlife Film Festival. Although known primarily for his work on films, when scoring major telefilms, such as Mrs. Harris (2005), or Bernard and Doris (2006), he is rewarded with Emmy recognition. Wurman's score for Temple Grandin (2010) starring Claire Danes won the Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special. Alex Wurman's talents are the result of both nature and nurture, hailing from a family with generations devoted to the study and performance of music. The Chicago native's father, Hans Wurman, was an arranger and composer, who pioneered the world of electronic music by recording intricate works on the first Moog synthesizer. As a youngster, Alex would spend afternoons at his father's workplace; his love for the arts would secure him admission into the prestigious Academy of Performing Arts High School. He went on to study composition at the University of Miami in Coral Gables and the American Conservatory of Music in Chicago. In his early twenties, Wurman moved to Los Angeles to pursue a career in film scoring. He immediately began scoring AFI student films. These valuable experiences proved to be the launching pad for Wurman's independent career. Soon thereafter, assignments came his way as directors discovered a fresh and versatile composer whose music lent depth to their films. This cerebral composer is able to work with directors in many film genres. He especially develops a close relationship with writer/directors, such as Steve Conrad, John August, Jill Sprecher, and Ron Shelton; perhaps because Wurman's music, on its own, also tells a story. "He is a born storyteller whose work gets to the heart of the matter and expresses what words cannot. The music he creates is completely unique, complex and stunning," said Jill Sprecher, director of 13 Conversations About One Thing (2001). Ron Shelton (Play It to the Bone (1999), Hollywood Homicide (2003)) stated, "I don't think there is any kind of music in which he is not conversant." The Los Angeles Times wrote: "Wurman's spare, elegant score contributes strongly to creating and sustaining the film's shifting moods." Percy Adlon, director of Bagdad Cafe (1987) and The Glamorous World of the Adlon Hotel (1996) Adlon described Wurman's abilities by stating, "He has a wonderfully wide range of styles. You can travel with him from Schubert to Thelonius Monk, from Jamaican to Baroque, from noise to ballroom, from rich to sparse. He will never give you a cheap imitation. You always get an original."

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Biography from IMDb.

Born
October 5, 1966 (60)
From
Chicago, Illinois, USA
Works as
Composer
Titles
43 on MovieCove · 54 credits in all

What are Alex Wurman's films like?

Across their 40 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 39 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 19 · Serious 13 · Dark 7

A split, not a type: Grounded 25 · Stylized 7 · Heightened 7

Gentle 15 · Charged 20 · Intense 4

Steady 14 · Shifting 21 · Whiplash 4

Straight-faced 9 · Some laughs 16 · Funny 14

Slow burn 14 · Even-paced 24 · Relentless 1

Casual 25 · Engaged 11 · Full focus 3

Resolved 26 · Open-ended 6 · Ambiguous 7

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
20
Absurd
13
Warm
14
Joyful
11
Melancholic
8
Other
41

How their films end · 9 with a twist

  • Happy18
  • Bittersweet10
  • Tragic2
  • Ambiguous10

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Wurman's films?

As of October 24, 2026, 27 of their 43 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Alex Wurman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

54 credits, 43 with a MovieCove page.

  • DTF St. Louis(2026)

    Show 7 episodes · Composer · Scoring Mixer

    Midcredits score: 63rd percentile of all shows
  • A Little White Lie(2023)

    Composer

    Midcredits score: 38th percentile of all films
  • Ultra City Smiths (not in the MovieCove catalog yet)(2021)

    Show 6 episodes · Composer

  • Buddy Games(2019)

    Composer

    Midcredits score: 8th percentile of all films
  • Midcredits score: 44th percentile of all films
  • Perpetual Grace, LTD(2019)

    Show 10 episodes · Composer

    Midcredits score: 74th percentile of all shows
  • Half Magic(2018)

    Composer

    Midcredits score: 18th percentile of all films
  • Just Getting Started(2017)

    Composer

    Midcredits score: 6th percentile of all films
  • Patriot(2015)

    Show 18 episodes · Composer

    Midcredits score: 90th percentile of all shows
  • Unfinished Business(2015)

    Composer

    Midcredits score: 16th percentile of all films
  • Cloud 9(2014)

    Composer

    Midcredits score: 66th percentile of all films
  • Midcredits score: 76th percentile of all films
  • The Millionaire Tour(2012)

    Composer

    Midcredits score: 56th percentile of all films
  • The Newsroom(2012)

    Show 1 episode · Composer

    Midcredits score: 98th percentile of all shows
  • Something Borrowed(2011)

    Composer

    Midcredits score: 35th percentile of all films
  • The Last Lions (not in the MovieCove catalog yet)(2011)

    Composer

  • The Switch(2010)

    Composer

    Midcredits score: 44th percentile of all films
  • Temple Grandin(2010)

    Composer

    Midcredits score: 99th percentile of all films
  • What Doesn't Kill You(2008)

    Composer

    Midcredits score: 60th percentile of all films
  • Four Christmases(2008)

    Composer

    Midcredits score: 31st percentile of all films
  • $5 a Day(2008)

    Composer

    Midcredits score: 48th percentile of all films
  • The Promotion(2008)

    Composer

    Midcredits score: 26th percentile of all films
  • Run Fatboy Run(2007)

    Composer

    Midcredits score: 59th percentile of all films
  • Homo Erectus(2007)

    Composer

    Midcredits score: 5th percentile of all films
  • The Baker(2007)

    Composer

    Midcredits score: 52nd percentile of all films
  • The Nines(2007)

    Composer

    Midcredits score: 50th percentile of all films
  • Bernard and Doris(2006)

    Composer

    Midcredits score: 57th percentile of all films
  • Midcredits score: 69th percentile of all films
  • Mrs. Harris(2005)

    Composer

    Midcredits score: 48th percentile of all films
  • A Lot Like Love(2005)

    Composer

    Midcredits score: 67th percentile of all films
  • Wake Up, Ron Burgundy(2004)

    Composer

    Midcredits score: 47th percentile of all films
  • Criminal(2004)

    Composer

    Midcredits score: 54th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Hollywood Homicide(2003)

    Composer

    Midcredits score: 16th percentile of all films
  • Normal(2003)

    Composer

    Midcredits score: 79th percentile of all films
  • Midcredits score: 80th percentile of all films
  • Koenig's Sphere (not in the MovieCove catalog yet)(2002)

    Composer

  • Midcredits score: 76th percentile of all films
  • Midcredits score: 21st percentile of all films
  • Play It to the Bone(1999)

    Composer

    Midcredits score: 20th percentile of all films
  • No Vacancy(1999)

    Composer

    Midcredits score: 14th percentile of all films
  • Bloodsport: The Dark Kumite (not in the MovieCove catalog yet)(1999)

    Composer

  • Dangerous Waters (not in the MovieCove catalog yet)(1999)

    Composer

  • Exposé(2000)

    Composer

    Midcredits score: 1st percentile of all films
  • In der glanzvollen Welt des Hotel Adlon (not in the MovieCove catalog yet)(1997)

    Composer

  • Eat Your Heart Out(1997)

    Composer

    Midcredits score: 25th percentile of all films
  • The Good Life(1997)

    Composer

    Midcredits score: 17th percentile of all films
  • The Grave(1996)

    Composer

    Midcredits score: 37th percentile of all films
  • French Exit (not in the MovieCove catalog yet)(1995)

    Composer

  • Dominion (not in the MovieCove catalog yet)(1995)

    Composer

  • Getting In (not in the MovieCove catalog yet)(1994)

    Composer

  • The Crew(1994)

    Composer

    Midcredits score: 10th percentile of all films
  • L.A. Goddess (not in the MovieCove catalog yet)(1993)

    Composer

  • Rising Hope (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 51 titles, 50 of them dated from 1993 to 2026.

By role

only this rolewith another role
Music51 of 51: 50 only music, 1 with another role · typical Midcredits score49thOther crew1 of 51: 0 only other crew, 1 with another role

By decade

1990s13 · crew2000s20 · crew2010s14 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy from 3 major nominations, 2008–2026.

WinNomination
  1. 2026
    • Primetime Emmy, nominated · Outstanding Sound Mixing for a Limited or Anthology Series or Movie
  2. 2010
    • Primetime Emmy, won · Outstanding Music Composition for a Miniseries, Movie or a Special
  3. 2008
    • Primetime Emmy, nominated · Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score)

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Alex Wurman's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 39; across their 39 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 39

Approval · how many liked their films

42ndpercentile
Typical film, the median of 39

Reach · how many have seen their films

85thpercentile
Typical film, the median of 39

Midcredits score across 43 titles, by percentile

  • 75th and up8
  • 50th to 74th12
  • 25th to 49th11
  • Below 25th12

Shape of the crowd

18 of their 43 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Divisive1
  • Crowd Pleaser18
  • Broadly Agreed7
  • Mixed13

Reviewers score the sound and music 55/100 in their films, across 26 reviewed titles; fans 64, detractors 35. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alex Wurman's work okay for kids?

Across up to 21 MovieCove titles with content scores, profanity runs heavier than most films and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles13–56 · median 36 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity21 titles26–64 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity13 titles37–76 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles28–63 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles6–44 · median 14 · minimallighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alex Wurman work with?

People who share at least 2 of Alex Wurman's MovieCove titles, grouped by what they did on them; Ron Shelton shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles