- Writer and producer
- 5 on MovieCove · 16 credits in all
What are Sharon Wood's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 5 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 1 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet2
- Ambiguous1
- Cyclical1
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sharon Wood's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).
Subscription and free streaming for Sharon Wood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 5 with a MovieCove page.

Pasang: In the Shadow of Everest (not in the MovieCove catalog yet)(2024)

Ai Weiwei: Yours Truly(2019)
Midcredits score: 88th percentile of all films (provisional, few ratings)
Killing the Colorado(2016)
Midcredits score: 71st percentile of all films (provisional, few ratings)
And the Oscar Goes to...(2014)
Midcredits score: 79th percentile of all films
The Campaign (not in the MovieCove catalog yet)(2013)

The World of John Ford (not in the MovieCove catalog yet)(2008)

KPFA On the Air (not in the MovieCove catalog yet)(2000)

Paragraph 175(1999)
Midcredits score: 94th percentile of all films
Isamu Noguchi: Stones and Paper (not in the MovieCove catalog yet)(1997)
Tell the Truth and Run: George Seldes and the American Press (not in the MovieCove catalog yet)(1996)

The Celluloid Closet(1995)
Midcredits score: 95th percentile of all films
Skin Deep (not in the MovieCove catalog yet)(1995)
Straight from the Heart (not in the MovieCove catalog yet)(1994)

The Faces of Aids (not in the MovieCove catalog yet)(1993)

Hopi: Songs of the Fourth World (not in the MovieCove catalog yet)(1983)

Seeking the Truth: The Life of Leo Tolstoy (not in the MovieCove catalog yet)
Career shape
A full career of 14 titles, 13 of them dated from 1983 to 2024.
How do Sharon Wood's films land?
Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 92nd percentile for acclaim.
- 75th and up4
- 50th to 74th1
Shape of the crowd
2 of their 5 titles are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sharon Wood work with?
People who share at least 2 of Sharon Wood's MovieCove titles, grouped by what they did on them; Jeffrey Friedman shares the most, 4.
Directors
- Jeffrey FriedmanShared titles: Killing the Colorado (2016), And the Oscar Goes to... (2014), Paragraph 175 (1999), The Celluloid Closet (1995)See all 4 shared titles with Jeffrey Friedman

- Rob EpsteinShared titles: Killing the Colorado (2016), And the Oscar Goes to... (2014), Paragraph 175 (1999), The Celluloid Closet (1995)See all 4 shared titles with Rob Epstein

Cinematographers
- Nancy SchreiberShared titles: And the Oscar Goes to... (2014), The Celluloid Closet (1995)See all 2 shared titles with Nancy Schreiber

Producers
- John HoffmanShared titles: Killing the Colorado (2016), Paragraph 175 (1999)See all 2 shared titles with John Hoffman

- Howard RosenmanShared titles: Paragraph 175 (1999), The Celluloid Closet (1995)See all 2 shared titles with Howard Rosenman

- Michael EhrenzweigShared titles: Paragraph 175 (1999), The Celluloid Closet (1995)See all 2 shared titles with Michael Ehrenzweig
- Sheila NevinsShared titles: Paragraph 175 (1999), The Celluloid Closet (1995)See all 2 shared titles with Sheila Nevins
