Clement Biddle Wood

What are Clement Biddle Wood's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Clement Biddle Wood's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Pluto TV (2).

• Pluto TV2 titles, browse their movies on this service
  • Barbarella (1968) · writer · free
  • The Legend of Frenchie King (1971) · writer · free
• The Criterion Channel1 title, browse their movies on this service
  • Spirits of the Dead (1968) · writer
• Tubi1 title, browse their movies on this service
  • The Legend of Frenchie King (1971) · writer · free

Subscription and free streaming for Clement Biddle Wood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

• 

  Leonor (not in the MovieCove catalog yet)(1975)

  Writer
• 

  The Woman with Red Boots (not in the MovieCove catalog yet)(1974)

  Screenplay
• 

  The Legend of Frenchie King(1971)

  Screenplay

  Midcredits score: 25th percentile of all films25^th
• 

  Man on Horseback(1969)

  Writer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Barbarella(1968)

  Writer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Spirits of the Dead(1968)

  Adaptation · Screenplay

  Midcredits score: 61st percentile of all films61^st
• 

  The Day and the Hour(1963)

  Writer

  Midcredits score: 62nd percentile of all films62^nd

Career shape

A full career of 6 titles from 1968 to 1975.

Biggest box office

Barbarella (1968)

$1.6K worldwide

Highest rated

Spirits of the Dead (1968)

Midcredits 61^st

Most popular right now

Barbarella (1968)

How do Clement Biddle Wood's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 46^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

32

• Crowd Pleaser3
• Mixed2

Most loved · writer

The Day and the Hour (1963)

Midcredits 62^nd · 54% liked

Reviewers score the dialogue 47/100 and the plot and story 42/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Clement Biddle Wood's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Clement Biddle Wood work with?

People who share at least 2 of Clement Biddle Wood's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 2.