Dorothy Wilde
- Producer
- 4 on MovieCove
What are Dorothy Wilde's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
Grounded 3 · Stylized 0 · Heightened 1
Gentle 1 · Charged 3 · Intense 0
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dorothy Wilde's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Dorothy Wilde's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

The Lonely Guy(1984)
Midcredits score: 48th percentile of all films
Author! Author!(1982)
Midcredits score: 48th percentile of all films
Making Love(1982)
Midcredits score: 73rd percentile of all films
The In-Laws(1979)
Midcredits score: 87th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1979 to 1984.
How do Dorothy Wilde's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Dorothy Wilde work with?
People who share at least 2 of Dorothy Wilde's MovieCove titles, grouped by what they did on them; Arthur Hiller shares the most, 4.
Directors
- Arthur HillerShared titles: The Lonely Guy (1984), Author! Author! (1982), Making Love (1982), The In-Laws (1979)See all 4 shared titles with Arthur Hiller

Cinematographers and editors
- William ReynoldsShared titles: The Lonely Guy (1984), Author! Author! (1982), Making Love (1982)See all 3 shared titles with William Reynolds

- Victor J. KemperShared titles: The Lonely Guy (1984), Author! Author! (1982)See all 2 shared titles with Victor J. Kemper

- David M. WalshShared titles: Making Love (1982), The In-Laws (1979)See all 2 shared titles with David M. Walsh