Oli Weiss
Editor · Born January 1, 1970 (56) · Herford, Germany
- January 1, 1970 (56)
- Herford, Germany
- Editor
- 7 on MovieCove · 12 credits in all
Known for
What are Oli Weiss' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 4 · Dark 1
A split, not a type: Grounded 5 · Stylized 1 · Heightened 1
Gentle 4 · Charged 3 · Intense 0
Steady 4 · Shifting 2 · Whiplash 1
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 6 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 3 · Affecting 2 · Heavy 2
A split, not a type: Resolved 5 · Open-ended 0 · Ambiguous 2
Moods and endings
- Bittersweet4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Oli Weiss' films?
As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Oli Weiss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
What About Love(2024)
Midcredits score: 19th percentile of all films
Mostly Minimalistic (not in the MovieCove catalog yet)(2022)
Midcredits score: 71st percentile of all films
Midsummer Night's Tango(2013)
Midcredits score: 90th percentile of all films
The Prize (not in the MovieCove catalog yet)(2012)
Albert Schweitzer(2009)
Midcredits score: 36th percentile of all films
Palermo Shooting(2008)
Midcredits score: 49th percentile of all films
Don't Come Knocking(2005)
Midcredits score: 62nd percentile of all films
Dot.Kill (not in the MovieCove catalog yet)(2005)
The Edelweiss Pirates (not in the MovieCove catalog yet)(2004)
Midcredits score: 68th percentile of all filmsEin Produzent hat Seele oder er hat keine (not in the MovieCove catalog yet)(2002)
Career shape
A full career of 8 titles from 2002 to 2022.
How do Oli Weiss' films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
5 of their 7 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser5
- Mixed1
Reviewers score the pacing 31/100 in their films, across 5 reviewed titles; fans 40, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Oli Weiss work with?
People who share at least 2 of Oli Weiss' MovieCove titles, grouped by what they did on them; Peter Przygodda shares the most, 3.
Directors
- Wim WendersShared titles: Palermo Shooting (2008), Don't Come Knocking (2005)See all 2 shared titles with Wim Wenders
Cinematographers and editors
- Peter PrzygoddaShared titles: Palermo Shooting (2008), Don't Come Knocking (2005), Ten Minutes Older: The Cello (2002)See all 3 shared titles with Peter Przygodda
- Franz LustigShared titles: Palermo Shooting (2008), Don't Come Knocking (2005)See all 2 shared titles with Franz Lustig
Producers
- Jeremy ThomasShared titles: Palermo Shooting (2008), Don't Come Knocking (2005)See all 2 shared titles with Jeremy Thomas
- Peter SchwartzkopffShared titles: Palermo Shooting (2008), Don't Come Knocking (2005)See all 2 shared titles with Peter Schwartzkopff
- Stephan MallmannShared titles: Palermo Shooting (2008), Don't Come Knocking (2005)See all 2 shared titles with Stephan Mallmann
- Karsten BrünigShared titles: Don't Come Knocking (2005), Ten Minutes Older: The Cello (2002)See all 2 shared titles with Karsten Brünig
