Allan Weiss

What are Allan Weiss' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Allan Weiss' films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Paramount+ (6).

• Paramount+6 titles, browse their movies on this service
  • Blue Hawaii (1961) · writer
  • Roustabout (1964) · writer
  • Fun in Acapulco (1963) · writer
  • Girls! Girls! Girls! (1962) · writer
  • Easy Come, Easy Go (1967) · writer
  • Paradise, Hawaiian Style (1966) · writer
• Pluto TV2 titles, browse their movies on this service
  • Roustabout (1964) · writer · free
  • Easy Come, Easy Go (1967) · writer · free
• MGM+1 title, browse their movies on this service
  • The Sons of Katie Elder (1965) · writer

Subscription and free streaming for Allan Weiss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Easy Come, Easy Go(1967)

  Screenplay

  Midcredits score: 25th percentile of all films25^th
• 

  Paradise, Hawaiian Style(1966)

  Screenplay · Story

  Midcredits score: 24th percentile of all films24^th
• 

  The Sons of Katie Elder(1965)

  Screenplay

  Midcredits score: 86th percentile of all films86^th
• 

  Roustabout(1964)

  Screenplay · Story

  Midcredits score: 44th percentile of all films44^th
• 

  Fun in Acapulco(1963)

  Screenplay

  Midcredits score: 38th percentile of all films38^th
• 

  Girls! Girls! Girls!(1962)

  Screenplay · Story

  Midcredits score: 31st percentile of all films31^st
• 

  Blue Hawaii(1961)

  Story

  Midcredits score: 48th percentile of all films48^th

Career shape

A full career of 7 titles from 1961 to 1967.

Biggest box office

Blue Hawaii (1961)

$5.3K worldwide

Highest rated

The Sons of Katie Elder (1965)

Midcredits 86^th

How do Allan Weiss' films land?

Their typical MovieCove film has a Midcredits score in the 38^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 41^st percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 4 are Mixed.

34

• Crowd Pleaser3
• Mixed4

Most loved · writer

The Sons of Katie Elder (1965)

Midcredits 86^th · 78% liked

Reviewers score the dialogue 35/100 and the plot and story 37/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Allan Weiss work with?

People who share at least 2 of Allan Weiss' MovieCove titles, grouped by what they did on them; Hal B. Wallis shares the most, 7.