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Andrew Weisblum

Andrew Weisblum

Editor · USA

Oscar nominee · BAFTA Award nominee · 1 other major award body

Andrew Weisblum is an American film and visual effects editor. He has collaborated frequently with directors Darren Aronofsky and Wes Anderson. Weisblum was nominated for two American Cinema Editors Eddie Awards for Best Edited Animated Feature Film for his work on Fantastic Mr. Fox (2009) and Isle of Dogs (2018) and two Academy Awards for Best Film Editing for his work on Black Swan (2010) and Tick, Tick... Boom! (2021, with co-editor Myron Kerstein). Description above from the Wikipedia article Andrew Weisblum, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

From
USA
Works as
Editor
Titles
28 on MovieCove · 33 credits in all
TMDB popularity, last 155 days to Oct 26Up 29% in 30 days

What are Andrew Weisblum's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 2 · Dark 9

A split, not a type: Grounded 4 · Stylized 5 · Heightened 11

A split, not a type: Gentle 3 · Charged 8 · Intense 9

Steady 5 · Shifting 12 · Whiplash 3

A split, not a type: Straight-faced 9 · Some laughs 8 · Funny 3

Slow burn 7 · Even-paced 10 · Relentless 3

Casual 3 · Engaged 13 · Full focus 4

A split, not a type: Easy watch 7 · Affecting 4 · Heavy 9

A split, not a type: Resolved 12 · Open-ended 4 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
9
Dread
5
Hopeful
6
Joyful
3
Other
23

How their films end · 4 with a twist

  • Happy1
  • Bittersweet12
  • Tragic1
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Weisblum's films?

As of October 24, 2026, 21 of their 28 MovieCove titles stream on a subscription or free service, most on Netflix (8).

Subscription and free streaming for Andrew Weisblum's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 28 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Narnia: The Magician's Nephew (not in the MovieCove catalog yet)(2027)

    Editor

  • Caught Stealing(2025)

    Editor

    Midcredits score: 75th percentile of all films
  • The Phoenician Scheme(2025)

    Additional Editor

    Midcredits score: 71st percentile of all films
  • Wolfs(2024)

    Editor

    Midcredits score: 60th percentile of all films
  • The Wonderful Story of Henry Sugar and Three More (not in the MovieCove catalog yet)(2024)

    Editor

  • Poison(2023)

    Editor

    Midcredits score: 77th percentile of all films
  • The Rat Catcher(2023)

    Editor

    Midcredits score: 62nd percentile of all films
  • The Swan(2023)

    Editor

    Midcredits score: 75th percentile of all films
  • Midcredits score: 94th percentile of all films
  • Asteroid City(2023)

    Additional Editor

    Midcredits score: 65th percentile of all films
  • The Whale(2022)

    Editor

    Midcredits score: 95th percentile of all films
  • Midcredits score: 94th percentile of all films
  • Midcredits score: 85th percentile of all films
  • Midcredits score: 78th percentile of all films
  • The Vandal (not in the MovieCove catalog yet)(2021)

    Thanks

  • Isle of Dogs(2018)

    Supervising Editor

    Midcredits score: 98th percentile of all films
  • Mother!(2017)

    Editor

    Midcredits score: 72nd percentile of all films
  • The OA(2016)

    Show 3 episodes · Editor

    Midcredits score: 81st percentile of all shows
  • Midcredits score: 49th percentile of all films
  • Noah(2014)

    Editor

    Midcredits score: 32nd percentile of all films
  • The East(2013)

    Editor

    Midcredits score: 74th percentile of all films
  • Moonrise Kingdom(2012)

    Editor

    Midcredits score: 97th percentile of all films
  • Black Swan(2010)

    Editor

    Midcredits score: 98th percentile of all films
  • Fantastic Mr. Fox(2009)

    Supervising Film Editor

    Midcredits score: 99th percentile of all films
  • The Wrestler(2008)

    Editor

    Midcredits score: 98th percentile of all films
  • Midcredits score: 89th percentile of all films
  • Broken English(2007)

    Editor

    Midcredits score: 54th percentile of all films
  • The Fountain(2006)

    Visual Effects Editor

    Midcredits score: 81st percentile of all films
  • The Devil Wears Prada(2006)

    Main Title Designer

    Midcredits score: 86th percentile of all films
  • School of Rock(2003)

    Assistant Editor

    Midcredits score: 90th percentile of all films
  • Undermind (not in the MovieCove catalog yet)(2003)

    Editor

  • Chicago(2002)

    Visual Effects Editor

    Midcredits score: 90th percentile of all films
  • Coney Island Baby (not in the MovieCove catalog yet)(2002)

    Editor

Career shape

A full career of 33 titles, 32 of them dated from 2002 to 2025.

By role

only this rolewith another role
Editing28 of 33: 28 only editing, 0 with another role · typical Midcredits score78thOther crew5 of 33: 5 only other crew, 0 with another role

By decade

2000s10 · crew2010s8 · crew2020s14 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

4 major nominations and no wins, 2011–2022.

  1. 2022
    • Oscar, nominated · Best Achievement in Film Editing
  2. 2011
    • Oscar, nominated · Best Achievement in Film Editing
    • BAFTA Award, nominated · Best Editing
    • +1 other major body · 1 nomination
      • Critics Choice Award, nominated · Best Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Andrew Weisblum's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 27; across their 20 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 20

Approval · how many liked their films

78thpercentile
Typical film, the median of 20

Reach · how many have seen their films

94thpercentile
Typical film, the median of 20

Midcredits score across 28 titles, by percentile

  • 75th and up19
  • 50th to 74th7
  • 25th to 49th2

Reviewers score the pacing 50/100 in their films, across 20 reviewed titles; fans 59, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrew Weisblum's work okay for kids?

Across up to 20 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore17 titles7–88 · median 38 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity20 titles6–71 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity17 titles6–79 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs18 titles7–68 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense18 titles21–81 · median 43 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrew Weisblum work with?

People who share at least 2 of Andrew Weisblum's MovieCove titles, grouped by what they did on them; Jeremy Dawson shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles