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Jack Wareham

Jack Wareham

Cinematographer and producer

Works as
Cinematographer and producer
Titles
3 on MovieCove

What are Jack Wareham's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Themes

share of theme weight
Society
28%
Bonds
18%
Power
18%
Self
12%
Morality
9%
Ideas
9%
Survival
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 0

Grounded 2 · Stylized 1 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Hopeful
1
Joyful
1
Warm
1
Contemplative
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jack Wareham's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jack Wareham's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • The Nut Farm(2024)

    Cinematographer

    Midcredits score: 28th percentile of all films
  • The Brighton Miracle(2019)

    Cinematographer · Producer

    Midcredits score: 85th percentile of all films
  • Rain Fall(2009)

    Cinematographer

    Midcredits score: 10th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2009 to 2024.

By role

only this rolewith another role
Producing1 of 3: 0 only producing, 1 with another roleCinematography3 of 3: 2 only cinematography, 1 with another role

By decade

2000s1 · crew2010s1 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Jack Wareham's films land?

Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 3

Approval · how many liked their films

30thpercentile
Typical film, the median of 3

Reach · how many have seen their films

55thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 25th to 49th1
  • Below 25th1

Reviewers score the cinematography 63/100 in their films, across 3 reviewed titles; fans 74, detractors 35. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jack Wareham work with?

People who share at least 2 of Jack Wareham's MovieCove titles; Max Mannix shares the most, 2.