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Barry H. Waldman

Barry H. Waldman

Producer · New York City, New York, USA

Barry H. Waldman is an American film and television producer, unit production manager, and assistant director born and raised in New York City. After completing his studies at the University of Miami in Florida, he began working in the production field—initially as a production assistant, then progressing into assistant director roles on independent films under the oversight of a unit production manager. Waldman then transitioned into television production; among his early credits are the series Key West (1993) and Dead at 21 (1994). For Dead at 21 (1994), he was nominated in 1995 for a CableACE Award in the Dramatic Series category. He also won a Genesis Award for some of his television work. After producing the television movie Zooman for Showtime, he relocated to Los Angeles to focus on feature films. In Los Angeles, Waldman took on increasingly senior roles; Armageddon (1998) marked his second film as an associate producer and his fourth as unit production manager. Over time, he has been involved in many high-profile films and big-budget studio projects, often serving as executive producer or unit production manager.

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Biography from TMDB.

From
New York City, New York, USA
Works as
Producer
Titles
28 on MovieCove · 34 credits in all
TMDB popularity, last 155 days to Oct 26Down 11% in 30 days

What are Barry H. Waldman's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 5 · Dark 4

A split, not a type: Grounded 2 · Stylized 7 · Heightened 8

Gentle 1 · Charged 4 · Intense 12

Steady 3 · Shifting 13 · Whiplash 1

Straight-faced 6 · Some laughs 6 · Funny 5

Slow burn 1 · Even-paced 9 · Relentless 7

Casual 8 · Engaged 9 · Full focus 0

A split, not a type: Easy watch 8 · Affecting 7 · Heavy 2

Resolved 14 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
11
Joyful
5
Hopeful
5
Romantic
4
Other
12

How their films end · 3 with a twist

  • Happy7
  • Bittersweet7
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Barry H. Waldman's films?

As of October 24, 2026, 27 of their 28 MovieCove titles stream on a subscription or free service, most on Disney+ (12).

Subscription and free streaming for Barry H. Waldman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 28 with a MovieCove page.

  • Jumanji: Open World (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Red One(2024)

    Executive Producer · Unit Production Manager

    Midcredits score: 52nd percentile of all films
  • Bad Boys: Ride or Die(2024)

    Executive Producer · Unit Production Manager

    Midcredits score: 67th percentile of all films
  • Black Panther: Wakanda Forever(2022)

    Executive Producer · Unit Production Manager

    Midcredits score: 69th percentile of all films
  • Venom: Let There Be Carnage(2021)

    Executive Producer · Unit Production Manager

    Midcredits score: 38th percentile of all films
  • Bad Boys for Life(2020)

    Executive Producer · Unit Production Manager

    Midcredits score: 65th percentile of all films
  • Godzilla: King of The Monsters- The Antarctic Base (not in the MovieCove catalog yet)(2019)

    Actor

  • Godzilla: King of the Monsters(2019)

    Executive Producer · Unit Production Manager

    Midcredits score: 50th percentile of all films
  • The Divergent Series: Allegiant(2016)

    Executive Producer · Unit Production Manager

    Midcredits score: 24th percentile of all films
  • The Divergent Series: Insurgent(2015)

    Executive Producer · Unit Production Manager

    Midcredits score: 46th percentile of all films
  • Cinderella(2015)

    Producer

    Midcredits score: 77th percentile of all films
  • Into the Woods(2014)

    Thanks

    Midcredits score: 41st percentile of all films
  • Divergent(2014)

    Producer

    Midcredits score: 66th percentile of all films
  • Pirates of the Caribbean: On Stranger Tides(2011)

    Executive Producer · Unit Production Manager

    Midcredits score: 63rd percentile of all films
  • The Sorcerer's Apprentice(2010)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • National Treasure: Book of Secrets(2007)

    Executive Producer · Unit Production Manager

    Midcredits score: 60th percentile of all films
  • Deja Vu(2006)

    Executive Producer · Unit Production Manager

    Midcredits score: 83rd percentile of all films
  • Domino(2005)

    Executive Producer · Unit Production Manager

    Midcredits score: 37th percentile of all films
  • National Treasure(2004)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Bad Boys II(2003)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • Kangaroo Jack(2003)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Pearl Harbor(2001)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Gone in 60 Seconds(2000)

    Executive Producer · Unit Production Manager

    Midcredits score: 58th percentile of all films
  • Armageddon(1998)

    Associate Producer · Unit Production Manager

    Midcredits score: 67th percentile of all films
  • Batman & Robin(1997)

    Unit Production Manager

    Midcredits score: 1st percentile of all films
  • The Craft(1996)

    Unit Production Manager

    Midcredits score: 69th percentile of all films
  • The Rock(1996)

    Producer

    Midcredits score: 90th percentile of all films
  • Bad Boys(1995)

    First Assistant Director

    Midcredits score: 74th percentile of all films
  • Temptation (not in the MovieCove catalog yet)(1994)

    First Assistant Director

  • New Nightmare(1994)

    Unit Production Manager

    Midcredits score: 62nd percentile of all films
  • The Victims (not in the MovieCove catalog yet)(1989)

    Production Manager

  • Shallow Grave(1987)

    Producer

    Midcredits score: 27th percentile of all films
  • Hammerhead Jones (not in the MovieCove catalog yet)(1987)

    First Assistant Director

  • Fast and Loose (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 31 titles, 29 of them dated from 1987 to 2024.

By role

only this rolewith another role
Acting1 of 31: 1 only acting, 0 with another roleProducing22 of 31: 8 only producing, 14 with another role · typical Midcredits score57thOther crew22 of 31: 8 only other crew, 14 with another role · typical Midcredits score60th

31 titles, 14 with more than one role — other crew and producing overlap on 14 of them.

By decade

1980s3 · crew1990s6 · crew2000s8 · crew2010s7 · 1 acting · 6 crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Barry H. Waldman's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 28; across their 17 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 17

Approval · how many liked their films

65thpercentile
Typical film, the median of 17

Reach · how many have seen their films

98thpercentile
Typical film, the median of 17

Midcredits score across 28 titles, by percentile

  • 75th and up3
  • 50th to 74th16
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

19 of their 28 titles are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser19
  • Broadly Agreed2
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Barry H. Waldman's work okay for kids?

Across up to 17 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore16 titles33–84 · median 56 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity17 titles15–53 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity16 titles19–86 · median 53 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs15 titles6–48 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense16 titles38–64 · median 51 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Barry H. Waldman work with?

People who share at least 2 of Barry H. Waldman's MovieCove titles, grouped by what they did on them; Jerry Bruckheimer shares the most, 10.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles