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Dietrich von Watzdorf

Producer, also writer

Works as
Producer, also writer
Titles
5 on MovieCove · 10 credits in all

What are Dietrich von Watzdorf's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
32%
Bonds
26%
Society
24%
Power
13%
Morality
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

A split, not a type: Grounded 1 · Stylized 1 · Heightened 2

Gentle 3 · Charged 1 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Absurd
2
Contemplative
2
Bittersweet
1
Joyful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dietrich von Watzdorf's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Dietrich von Watzdorf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 5 with a MovieCove page.

  • Nur über meine Leiche (not in the MovieCove catalog yet)(1995)

    Producer

  • Younger and Younger(1993)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • Kaspar Hauser(1993)

    Editor

    Midcredits score: 72nd percentile of all films
  • Nino Rota: Between Cinema and Concert (not in the MovieCove catalog yet)(1993)

    Producer

  • The Altar Boys (not in the MovieCove catalog yet)(1990)

    Producer

  • Rosalie Goes Shopping(1989)

    Associate Producer

    Midcredits score: 37th percentile of all films
  • Martha Jellneck (not in the MovieCove catalog yet)(1988)

    Co-Producer

  • Bagdad Cafe(1987)

    Executive Producer · Production Executive

    Midcredits score: 91st percentile of all films
  • L'Opera oder Musik entsteht aus der Stille (not in the MovieCove catalog yet)(1986)

    Commissioning Editor

  • Midcredits score: 77th percentile of all films (provisional, few ratings)

Career shape

A full career of 9 titles from 1986 to 1995.

By role

only this rolewith another role
Producing7 of 9: 6 only producing, 1 with another roleEditing1 of 9: 1 only editing, 0 with another roleOther crew2 of 9: 1 only other crew, 1 with another role

By decade

1980s4 · crew1990s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Dietrich von Watzdorf's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 4

Approval · how many liked their films

54thpercentile
Typical film, the median of 4

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Reviewers score the dialogue 50/100 and the plot and story 35/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dietrich von Watzdorf work with?

People who share at least 2 of Dietrich von Watzdorf's MovieCove titles, grouped by what they did on them; Percy Adlon shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers