Hubert von Spreti

What are Hubert von Spreti's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hubert von Spreti's films?

As of October 24, 2026, 5 of their 14 MovieCove titles stream on a subscription or free service.

• Prime Video2 titles, browse their movies on this service
  • Hitlers letzte Tage - Der Film 'Der Untergang' (2004) · producer
  • Mahler on the Couch (2010) · producer
• Tubi2 titles, browse their movies on this service
  • No Place on Earth (2012) · producer · free
  • Mahler on the Couch (2010) · producer · free
• AMC+1 title, browse their movies on this service
  • Phoenix (2014) · producer
• The Criterion Channel1 title, browse their movies on this service
  • Phoenix (2014) · producer

Subscription and free streaming for Hubert von Spreti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  Phoenix(2014)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  No Place on Earth(2012)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Wer's glaubt, wird selig(2012)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Three Quarter Moon(2011)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Mahler on the Couch(2010)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Desert Flower(2009)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Cherry Blossoms(2008)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Räuber Kneißl(2008)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Snipers Valley(2007)

  Producer

  Midcredits score: 18th percentile of all films18^th
• 

  Jerry Lewis - König der Komödianten(2006)

  Producer

  Midcredits score: 71st percentile of all films (provisional, few ratings)~71^st
• 

  The Lives of Others(2006)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  Sophie Scholl: The Final Days(2005)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Hitlers letzte Tage - Der Film 'Der Untergang'(2004)

  Producer

  Midcredits score: 95th percentile of all films (provisional, few ratings)~95^th
• 

  Orson Welles: The One-Man Band(1995)

  Producer

  Midcredits score: 86th percentile of all films86^th

Career shape

Across their 14 MovieCove titles from 1995 to 2014.

Biggest box office

The Lives of Others (2006)

$78M worldwide

Highest rated

The Lives of Others (2006)

Midcredits 99^th

How do Hubert von Spreti's films land?

Their typical MovieCove film has a Midcredits score in the 83^rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 80^th percentile for acclaim.

Shape of the crowd

6 of their 14 titles are Crowd Pleasers.

562

• Universally Loved5
• Crowd Pleaser6
• Broadly Agreed1
• Mixed2

Most divisive · producer

Snipers Valley (2007)

59^th percentile spread · 31% rated it 4 or lower

Most loved · producer

The Lives of Others (2006)

Midcredits 99^th · 93% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Hubert von Spreti's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Hubert von Spreti work with?

People who share at least 2 of Hubert von Spreti's MovieCove titles, grouped by what they did on them; Bettina Reitz shares the most, 4.