
Marina Vlady
Actor · Died September 24, 2026, aged 88 · Clichy, Hauts-de-Seine, France
Marina Vlady (born Marina de Poliakoff-Baidaroff; 10 May, 1938 - died 24 September, 2026) was a French actress who made her film debut at 11. She has appeared in more than 100 feature films and television productions. She arrived as the blond bombshell and was the main attraction in "La sorcière" (1956). Catherine Marina de Poliakoff-Baïdaroff was born in Clichy on 10 May 1938, to White Russian immigrant parents. Her father, Vladimir Poliakoff, was an opera singer, and her mother, Militza, was a dancer. Her sisters, now all deceased, were the actresses Odile Versois, Hélène Vallier and Olga Baïdar-Poliakoff. The sisters began acting as children and, for a while, pursued a ballet career. Vlady won the Best Actress Award at the 1963 Cannes Film Festival for The Conjugal Bed. In 1965, she was a member of the jury at the 4th Moscow International Film Festival. She starred in Jean-Luc Godard's Two or Three Things I Know About Her (1967), and later portrayed the insightful and protective stepmother in the Italian film The Flavor of Corn (1986). A rare English language role was as Kate Percy in Orson Welles' Chimes at Midnight (1966). Her television credits include the 1983 mini-series La Chambre des Dames. In 1971, Vlady signed the Manifesto of the 343, which publicly declared she had an abortion as a way to advocate for abortion, even though the procedure was illegal in France at the time. Vlady and her partner Léon Schwartzenberg participated in the protests against deportations of Arab workers from France. She accepted a role in a film about a gay couple from Iran. From 1955 to 1959, Vlady was married to actor/director Robert Hossein. From 1963 to 1966, she was married to Jean-Claude Brouillet, a French entrepreneur, owner of two airlines and member of the French Resistance. Vlady's third husband was the Soviet poet and songwriter, Vladimir Vysotsky; they were married and lived in Moscow from 1969 until his death in 1980. Vlady wrote Vladimir, or the Aborted Flight, a memoir of her relationship with Vladimir Vysotsky. For a decade, the couple maintained a long-distance relationship as Vlady compromised her career in France in order to spend more time in Moscow, and his friends pulled strings for him to travel abroad. She eventually joined the Communist Party of France, which essentially gave her an unlimited-entry visa into the Soviet Union, and provided Vysotsky with some immunity against prosecution by the government. The problems of his long-distance relationship with Vlady inspired several of Vysotsky's songs. She also lived with French oncologist Léon Schwartzenberg from 1980 until his death in 2003. Vlady died on 24 September 2026, aged 88. According to a statement by her children, she died "at home, surrounded by her loved ones and her animals".
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Biography from TMDB.
- May 10, 1938
- September 24, 2026 (aged 88)
- Clichy, Hauts-de-Seine, France
- Actor
- 21 on MovieCove · 102 credits in all
Known for
What are Marina Vlady's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 6 · Earnest 15
A split, not a type: Light 9 · Serious 6 · Dark 8
Grounded 7 · Stylized 11 · Heightened 5
Gentle 7 · Charged 15 · Intense 1
Steady 16 · Shifting 5 · Whiplash 2
A split, not a type: Straight-faced 13 · Some laughs 7 · Funny 3
Slow burn 16 · Even-paced 6 · Relentless 1
Casual 7 · Engaged 11 · Full focus 5
A split, not a type: Easy watch 10 · Affecting 8 · Heavy 5
A split, not a type: Resolved 15 · Open-ended 1 · Ambiguous 7
Roles they play
Usually the Ally: 3 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Allyas Else in La ragazza in vetrina (1961)
- Heroas La Princesse de Clèves in Princess of Cleves (1961)
- Shadowas Regina in The Conjugal Bed (1963)
- Allyas Nicole in Il ladro della Gioconda (1966)
- Shapeshifteras Eva Wilson in Atout coeur à Tokyo pour OSS 117 (1966)
- Shapeshifteras Marie in Le temps de vivre (1969)
- Allyas Muriel Losseray in 7 morts sur ordonnance (1975)
- Heraldas Yekaterina II - Empress in O-Roshiya-koku suimu-tan (1992)
Moods and endings
- Happy6
- Bittersweet7
- Tragic2
- Ambiguous8
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marina Vlady's films?
As of October 24, 2026, 6 of their 21 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).
Subscription and free streaming for Marina Vlady's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
102 credits, 21 with a MovieCove page; 32 appearances as themselves are hidden until asked for.

The Wild Palms (not in the MovieCove catalog yet)(2025)

Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables (not in the MovieCove catalog yet)(2021)

The Scientist, The Imposter and Stalin: How to Feed the People (not in the MovieCove catalog yet)(2018)

3 femmes en colère (not in the MovieCove catalog yet)(2013)

The Bardot mystery (not in the MovieCove catalog yet)(2012)

Resurrection (not in the MovieCove catalog yet)(2011)

A Few Days of Respite (not in the MovieCove catalog yet)(2011)

Resurrection (not in the MovieCove catalog yet)(2001)

Victoire, ou la douleur des femmes (not in the MovieCove catalog yet)(2000)

Not All Dads Pee Standing Up (not in the MovieCove catalog yet)(1998)

Wind Over the City (not in the MovieCove catalog yet)(1996)

Dans un grand vent de fleurs (not in the MovieCove catalog yet)(1996)

To Remember (not in the MovieCove catalog yet)(1993)

O-Roshiya-koku suimu-tan(1992)
Midcredits score: 67th percentile of all films
Mountain of Diamonds (not in the MovieCove catalog yet)(1991)

Mountain of Diamonds (not in the MovieCove catalog yet)(1991)

Bloodsuckers (not in the MovieCove catalog yet)(1991)

The Burning Shore (not in the MovieCove catalog yet)(1991)
Follow Me (not in the MovieCove catalog yet)(1989)

Katia & Volodia (not in the MovieCove catalog yet)(1989)

The Flavor of Corn (not in the MovieCove catalog yet)(1989)

Splendor (not in the MovieCove catalog yet)(1989)
Tottering in the Dark (not in the MovieCove catalog yet)(1987)
Midcredits score: 51st percentile of all films
Twist again à Moscou(1986)
Midcredits score: 34th percentile of all films
Tangos, the Exile of Gardel (not in the MovieCove catalog yet)(1985)

Bordello (not in the MovieCove catalog yet)(1985)

In Search of Captain Grant (not in the MovieCove catalog yet)(1985)

Ακυβέρνητες Πολιτείες (not in the MovieCove catalog yet)(1985)
Bis später - ich muss mich erschiessen (not in the MovieCove catalog yet)(1984)

La Chambre des dames (not in the MovieCove catalog yet)(1983)
Les Beaux Quartiers (not in the MovieCove catalog yet)(1983)

The Secrets of the Princesse de Cadignan (not in the MovieCove catalog yet)(1982)
Midcredits score: 38th percentile of all filmsL'Œil du maître (not in the MovieCove catalog yet)(1980)

Hypochondriac (not in the MovieCove catalog yet)(1979)

Duets on Sofa (not in the MovieCove catalog yet)(1979)

Starting Point (not in the MovieCove catalog yet)(1979)

The Bermuda Triangle(1978)
Midcredits score: 4th percentile of all films
The Thief of Baghdad(1978)
Midcredits score: 38th percentile of all films
The Two of Them(1977)
Midcredits score: 64th percentile of all films
7 morts sur ordonnance(1975)
Midcredits score: 48th percentile of all films
Let Joy Reign Supreme(1975)
Midcredits score: 78th percentile of all films
Les Charmes de l'été (not in the MovieCove catalog yet)(1975)

Le complot(1973)
Midcredits score: 29th percentile of all films
Everybody He Is Nice, Everybody He Is Beautiful (not in the MovieCove catalog yet)(1972)

La Nuit bulgare (not in the MovieCove catalog yet)(1972)

Sappho (not in the MovieCove catalog yet)(1971)

Pour un sourire (not in the MovieCove catalog yet)(1970)

Let's Have a Riot (not in the MovieCove catalog yet)(1970)

Winter Wind(1969)
Midcredits score: 61st percentile of all films
Subject for a Short Story (not in the MovieCove catalog yet)(1969)

Le temps de vivre(1969)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Midcredits score: 67th percentile of all films
The Nameless Star (not in the MovieCove catalog yet)(1966)
Midcredits score: 32nd percentile of all films
Il ladro della Gioconda(1966)
Midcredits score: 11th percentile of all films
Chimes at Midnight(1965)
Midcredits score: 94th percentile of all films
Run for Your Wife (not in the MovieCove catalog yet)(1965)

The Little Misses (not in the MovieCove catalog yet)(1964)

Sweet and Sour (not in the MovieCove catalog yet)(1963)

The Cage (not in the MovieCove catalog yet)(1963)

Don't Tempt the Devil (not in the MovieCove catalog yet)(1963)

The Conjugal Bed(1963)
Midcredits score: 71st percentile of all films
Enough Rope (not in the MovieCove catalog yet)(1963)

Climates of Love (not in the MovieCove catalog yet)(1962)

Pride (not in the MovieCove catalog yet)(1962)

The Seven Deadly Sins(1962)
Midcredits score: 48th percentile of all films
The Steppe (not in the MovieCove catalog yet)(1962)

Adorable Liar (not in the MovieCove catalog yet)(1962)

Canzoni di ieri, canzoni di oggi, canzoni di domani (not in the MovieCove catalog yet)(1962)

La ragazza in vetrina(1961)
Midcredits score: 77th percentile of all films
Princess of Cleves(1961)
Midcredits score: 47th percentile of all films
Take Me As I Am (not in the MovieCove catalog yet)(1960)

The Verdict (not in the MovieCove catalog yet)(1959)

Double Agents (not in the MovieCove catalog yet)(1959)

Blonde in a White Car (not in the MovieCove catalog yet)(1959)

Provisional Liberty (not in the MovieCove catalog yet)(1958)

Crime and Punishment (not in the MovieCove catalog yet)(1956)

Forgive Our Trespasses (not in the MovieCove catalog yet)(1956)

The Blonde Witch (not in the MovieCove catalog yet)(1956)

The Wicked Go to Hell (not in the MovieCove catalog yet)(1955)

Girl on the Third Floor (not in the MovieCove catalog yet)(1955)

Le Crâneur (not in the MovieCove catalog yet)(1955)

Sins of Casanova(1955)
Midcredits score: 23rd percentile of all films
Days of Love (not in the MovieCove catalog yet)(1954)

Sie (not in the MovieCove catalog yet)(1954)

Symphony of Love (not in the MovieCove catalog yet)(1954)

La Belle au bois dormant (not in the MovieCove catalog yet)(1954)

Before the Deluge (not in the MovieCove catalog yet)(1954)

The Hunt (not in the MovieCove catalog yet)(1953)

Cavalcade of Song (not in the MovieCove catalog yet)(1953)

The Age of Indiscretion (not in the MovieCove catalog yet)(1953)

The Unfaithfuls (not in the MovieCove catalog yet)(1953)

The Devil's Daughter (not in the MovieCove catalog yet)(1952)

Black Feathers (not in the MovieCove catalog yet)(1952)

Luxury Girls (not in the MovieCove catalog yet)(1952)

Dans la vie tout s'arrange (not in the MovieCove catalog yet)(1952)

Pardon My French (not in the MovieCove catalog yet)(1951)

Due sorelle amano (not in the MovieCove catalog yet)(1950)

Summer Storm (not in the MovieCove catalog yet)(1949)
Une famille un peu ukrainienne (not in the MovieCove catalog yet)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 102 titles, 101 of them dated from 1949 to 2025; peak year 1966.

Biggest box office
Chimes at Midnight (1965)

Highest rated
One Day in the Life of Andrei Arsenevitch (1987)

Most popular right now
What Every Frenchwoman Wants (1986)
Film career
Peak 1966 · back in prominent film roles after a quiet stretch. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1963Screen debut· The Conjugal Bed
- 1967First top-billed film· 2 or 3 Things I Know About Her
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Marina Vlady's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 21; across their 23 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up3
- 50th to 74th6
- 25th to 49th9
- Below 25th3
Shape of the crowd
7 of their 21 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser7
- Broadly Agreed5
- Mixed7
Reviewers score the acting 64/100 in their films, across 14 reviewed titles; fans 75, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Marina Vlady's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Marina Vlady work with?
People who share at least 2 of Marina Vlady's MovieCove titles, grouped by what they did on them; Jacques Rouffio shares the most, 3.
Directors
- Chris MarkerShared titles: The Case of the Grinning Cat (2004), One Day in the Life of Andrei Arsenevitch (1987)See all 2 shared titles with Chris Marker

Writers
- Jacques RouffioShared titles: 7 morts sur ordonnance (1975), Le temps de vivre (1969), Winter Wind (1969)See all 3 shared titles with Jacques Rouffio

Actors
- Valérie MairesseShared titles: One Day in the Life of Andrei Arsenevitch (1987), 7 morts sur ordonnance (1975)See all 2 shared titles with Valérie Mairesse

- Claudine AugerShared titles: What Every Frenchwoman Wants (1986), The Bermuda Triangle (1978)See all 2 shared titles with Claudine Auger

- Philippe NoiretShared titles: Twist again à Moscou (1986), Let Joy Reign Supreme (1975)See all 2 shared titles with Philippe Noiret

- Jean RochefortShared titles: Let Joy Reign Supreme (1975), Le complot (1973)See all 2 shared titles with Jean Rochefort

Composers and cinematographers
- William LubtchanskyShared titles: The Games of Countess Dolingen (1981), Le temps de vivre (1969)See all 2 shared titles with William Lubtchansky

- János KendeShared titles: The Two of Them (1977), Winter Wind (1969)See all 2 shared titles with János Kende
- Michel MagneShared titles: Le complot (1973), Atout coeur à Tokyo pour OSS 117 (1966)See all 2 shared titles with Michel Magne

- Angelo Francesco LavagninoShared titles: Chimes at Midnight (1965), Sins of Casanova (1955)See all 2 shared titles with Angelo Francesco Lavagnino
Producers
- Edmond TénoudjiShared titles: Il ladro della Gioconda (1966), The Conjugal Bed (1963)See all 2 shared titles with Edmond Ténoudji
Mixed roles
- Francis GirodShared titles: 7 morts sur ordonnance (1975), Winter Wind (1969)See all 2 shared titles with Francis Girod
