Lucíola Vilella
- Producer
- 3 on MovieCove
What are Lucíola Vilella's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lucíola Vilella's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lucíola Vilella's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Bela Donna(1998)
Midcredits score: 12th percentile of all films
Four Days in September(1997)
Midcredits score: 94th percentile of all films
Bye Bye Brazil(1980)
Midcredits score: 89th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1980 to 1998.
How do Lucíola Vilella's films land?
Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up2
- Below 25th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lucíola Vilella work with?
People who share at least 2 of Lucíola Vilella's MovieCove titles, grouped by what they did on them; Lucy Barreto shares the most, 3.
Writers
- Leopoldo SerranShared titles: Four Days in September (1997), Bye Bye Brazil (1980)See all 2 shared titles with Leopoldo Serran
Cinematographers
- Félix MontiShared titles: Bela Donna (1998), Four Days in September (1997)See all 2 shared titles with Félix Monti
Producers
- Lucy BarretoShared titles: Bela Donna (1998), Four Days in September (1997), Bye Bye Brazil (1980)See all 3 shared titles with Lucy Barreto
- Luiz Carlos BarretoShared titles: Bela Donna (1998), Four Days in September (1997), Bye Bye Brazil (1980)See all 3 shared titles with Luiz Carlos Barreto
Mixed roles
- Bruno BarretoShared titles: Four Days in September (1997), Bye Bye Brazil (1980)See all 2 shared titles with Bruno Barreto
