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Richard Vane

Producer

Works as
Producer
Titles
36 on MovieCove · 38 credits in all

What are Richard Vane's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

Light 16 · Serious 5 · Dark 2

A split, not a type: Grounded 14 · Stylized 6 · Heightened 3

Gentle 6 · Charged 15 · Intense 2

A split, not a type: Steady 12 · Shifting 9 · Whiplash 2

A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 12

Slow burn 6 · Even-paced 17 · Relentless 0

Casual 18 · Engaged 5 · Full focus 0

Resolved 19 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
11
Tense
9
Absurd
9
Warm
8
Melancholic
5
Other
22

How their films end

  • Happy15
  • Bittersweet7
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Vane's films?

As of October 24, 2026, 23 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Richard Vane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 36 with a MovieCove page.

  • Office Christmas Party(2016)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Pee-wee's Big Holiday(2016)

    Executive Producer

    Midcredits score: 52nd percentile of all films
  • Midcredits score: 45th percentile of all films
  • The Five-Year Engagement(2012)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Wanderlust(2012)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Get Him to the Greek(2010)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • Dance Flick(2009)

    Executive Producer

    Midcredits score: 6th percentile of all films
  • Forgetting Sarah Marshall(2008)

    Executive Producer

    Midcredits score: 82nd percentile of all films
  • Drillbit Taylor(2008)

    Executive Producer

    Midcredits score: 28th percentile of all films
  • Last Holiday(2006)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • Without a Paddle(2004)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • How to Lose a Guy in 10 Days(2003)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • Abandon(2002)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • Rat Race(2001)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • The Shrink Is In(2001)

    Executive In Charge Of Production

    Midcredits score: 21st percentile of all films
  • Bojangles(2001)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Beautiful(2000)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Snow Falling on Cedars(1999)

    Co-Producer

    Midcredits score: 67th percentile of all films
  • Komodo(1999)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • Jingle All the Way(1996)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • The Phantom(1996)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • Baby's Day Out(1994)

    Producer

    Midcredits score: 56th percentile of all films
  • Dennis the Menace(1993)

    Producer

    Midcredits score: 34th percentile of all films
  • Home Alone 2: Lost in New York(1992)

    Executive Producer

    Midcredits score: 77th percentile of all films
  • Dutch(1991)

    Producer

    Midcredits score: 64th percentile of all films
  • Arachnophobia(1990)

    Producer

    Midcredits score: 62nd percentile of all films
  • Always(1989)

    Co-Producer

    Midcredits score: 53rd percentile of all films
  • Tap(1989)

    Producer

    Midcredits score: 70th percentile of all films
  • Midcredits score: 45th percentile of all films
  • The Boy Who Could Fly(1986)

    Co-Producer

    Midcredits score: 64th percentile of all films
  • The Falcon and the Snowman(1985)

    Location Manager

    Midcredits score: 74th percentile of all films
  • Midcredits score: 92nd percentile of all films
  • Romantic Comedy(1983)

    Location Manager

    Midcredits score: 17th percentile of all films
  • E.T. the Extra-Terrestrial(1982)

    Location Manager

    Midcredits score: 97th percentile of all films
  • Leon's Case (not in the MovieCove catalog yet)(1982)

    Location Manager

  • Zorro: The Gay Blade(1981)

    Location Manager

    Midcredits score: 59th percentile of all films
  • Rodeo Girl (not in the MovieCove catalog yet)(1980)

    Location Manager

  • Escape(1980)

    Associate Producer

    Midcredits score: 51st percentile of all films

Career shape

A full career of 38 titles from 1980 to 2016.

By role

only this rolewith another role
Producing30 of 38: 30 only producing, 0 with another role · typical Midcredits score52ndOther crew8 of 38: 8 only other crew, 0 with another role · typical Midcredits score67th

By decade

1980s12 · crew1990s9 · crew2000s11 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard Vane's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 36; across their 23 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 23

Approval · how many liked their films

55thpercentile
Typical film, the median of 23

Reach · how many have seen their films

91stpercentile
Typical film, the median of 23

Midcredits score across 36 titles, by percentile

  • 75th and up4
  • 50th to 74th16
  • 25th to 49th10
  • Below 25th6

Shape of the crowd

17 of their 36 titles are Crowd Pleasers.

  • Universally Loved2
  • Universally Panned1
  • Crowd Pleaser17
  • Broadly Agreed5
  • Mixed11

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard Vane's work okay for kids?

Across up to 15 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles8–52 · median 35 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles11–62 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity13 titles25–66 · median 36 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs11 titles8–56 · median 28 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles11–50 · median 33 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Richard Vane work with?

People who share at least 2 of Richard Vane's MovieCove titles, grouped by what they did on them; John Hughes shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers