Kenneth Van Sickle
Cinematographer, also producer
- Cinematographer, also producer
- 10 on MovieCove · 16 credits in all
What are Kenneth Van Sickle's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 4 · Serious 1 · Dark 2
Grounded 7 · Stylized 0 · Heightened 0
A split, not a type: Gentle 4 · Charged 3 · Intense 0
Steady 7 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 4 · Funny 1
Slow burn 6 · Even-paced 1 · Relentless 0
A split, not a type: Casual 4 · Engaged 3 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 1
Resolved 4 · Open-ended 3 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kenneth Van Sickle's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Kenneth Van Sickle's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 10 with a MovieCove page.
Midcredits score: 75th percentile of all films (provisional, few ratings)
Tales of the Unexpected(1979)
Midcredits score: 74th percentile of all shows
Between the Lines(1977)
Midcredits score: 66th percentile of all films
The Displaced Person(1977)
Midcredits score: 42nd percentile of all films
Bernice Bobs Her Hair(1976)
Midcredits score: 72nd percentile of all films
Hester Street(1975)
Midcredits score: 80th percentile of all films
The Fur Coat Club (not in the MovieCove catalog yet)(1973)
Lash of Lust (not in the MovieCove catalog yet)(1972)
Marjoe(1972)
Midcredits score: 92nd percentile of all films
A Run for the Money (not in the MovieCove catalog yet)(1972)
Dynamite Chicken (not in the MovieCove catalog yet)(1971)
The Queen(1968)
Midcredits score: 85th percentile of all films
Freudus Sexualis (not in the MovieCove catalog yet)(1965)
The Winner (not in the MovieCove catalog yet)(1963)
Sin You Sinners(1963)
Midcredits score: 5th percentile of all films
The Fat Black Pussycat(1963)
Midcredits score: 6th percentile of all films
Career shape
A full career of 16 titles from 1963 to 2016.
Biggest box office
The Queen (1968)
Highest rated
Marjoe (1972)
Most popular right now
Between the Lines (1977)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Kenneth Van Sickle's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
6 of their 10 titles are Crowd Pleasers.
- Universally Panned1
- Divisive1
- Cult Classic1
- Crowd Pleaser6
- Mixed1
Reviewers score the cinematography 60/100 in their films, across 4 reviewed titles; fans 66, detractors 46. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kenneth Van Sickle work with?
People who share at least 2 of Kenneth Van Sickle's MovieCove titles, grouped by what they did on them; Joan Micklin Silver shares the most, 3.
Directors
- Joan Micklin SilverShared titles: Between the Lines (1977), Bernice Bobs Her Hair (1976), Hester Street (1975)See all 3 shared titles with Joan Micklin Silver
Producers
- Calvin SkaggsShared titles: The Displaced Person (1977), Bernice Bobs Her Hair (1976)See all 2 shared titles with Calvin Skaggs
- Raphael D. SilverShared titles: Between the Lines (1977), Hester Street (1975)See all 2 shared titles with Raphael D. Silver
- Robert GellerShared titles: The Displaced Person (1977), Bernice Bobs Her Hair (1976)See all 2 shared titles with Robert Geller